Archive for the ‘remixes’ Category

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Blogger Smash!

Friday, June 19th, 2009

I had a very bad day today. Usually I like to counter by bad days with hardcore industrial music, but an industrial song doesn’t exist that is hard enough to counteract my rage for the shitstorm of a day I had. It would have to be a collaboration between Skinny Puppy, Ministry, Mussolini Headkick and the sounds of a factory itself for me to exorcise the demonic rage within me. So instead I’m gonna put up some Stereolab and shit. Whatever.

Dajjamondo
The Phoenix
Big Hum
According to Discogs Dajjamondo is an alias for Marcel Hol, he has about a billion other AKAs (my favorite one is Bizarre. Supreme!) and he’s from Belgium. He’s the only Belgium techno producer I’ve ever heard who wasn’t obsessed with incredibly graphic sexual metaphors, so good for him. These tracks are trance, nothing spectacular, but worthwhile for fans of the genre.

Spear Of Destiny
Was That You? (Live)
Miami Vice (Live)
Outlands (Live)
Was That You? (Remix)
I’v heard of Spear of Destiny for a while and I’ve been meaning to pick up their supposedly awesome album Westworld for a few months. I respect any band that named an album after a movie that featured Yul Brenner as a killer cowboy robot. Also, that album was produced and features guitar by Mick Jones, and he’s my Jesus. This song was not on Westworld originally, it was on Outland. I got these versions from a 12” single and I have been enjoying them for a few days.

Stereolab
Miss Modular (Automator Mix)
Rainbo Conversation (Russell Simins Mix)
Refractions in the Plastic Pulse (Autechre’s Feedbate Mix)
Contronatura (Kid Loco’s Prelude to the Autumn of a Faun Mix)
This is a band that I’ve always wanted to get more into. When they were their most popular with the college crowd they were definitely not my thing, I was more into IDM glitch and hardcore metal. The smooth stylings of these wacky Brits were just not my thing. Now I’m finally coming around and they go “on hiatus.” These remixes are truly amazing and really worth the downloads. The Autechre mix of “Refractions in the Plastic Pulse” is a real highlight, combining Stereolab’s smooth grooves with Autechre’s crazy-ass polyrhythmic beats. Crazy crazy shit and one of the favorite songs of mine that I’ve put up in a long while.

Posted in Dajjamondo, live, remixes, Spear Of Destiny, Sterelab | 5 Comments »

Fuck Chilling Effects

Thursday, June 18th, 2009

Before I rant, thank you to the many people who offered me copies of Peter Gabriel’s German records, I have them now so your work here is done…until I beg for something else.

Now, to the hate.

A few months ago I got my first DMCA notice for copyright violation. (you can read my initial response to that here). At first it wasn’t that big a deal to me, after all I know a blog like mine kind of skirts the edge of the law, and a copyright owner has every right to complain to me about the hosting of their music, they do own it after all.

But it’s not that simple. When I said that “I” got a DMCA notice that’s a bit inaccurate. Actually Blogger got the notice. They then removed the blog post in its entirety and let me know about it with the following message, dated March 17th, 2009:

Blogger has been notified, according to the terms of the Digital Millennium Copyright Act (DMCA), that certain content in your blog infringes upon the copyrights of others. The URL(s) of the allegedly infringing post(s) may be found at the end of this message.

The notice that we received from the International Federation of the Phonographic Industry (IFPI) and the record companies it represents, with any personally identifying information removed, will be posted online by a service called Chilling Effects at http://www.chillingeffects.org

. We do this in accordance with the Digital Millennium Copyright Act (DMCA). Please note that it may take Chilling Effects up to several weeks to post the notice online at the link provided.

The IFPI is a trade association that represents over 1,400 major and independent record companies in the US and internationally who create, manufacture and distribute sound recordings (the “IFPI Represented Companies”).

The DMCA is a United States copyright law that provides guidelines for online service provider liability in case of copyright infringement. We are in the process of removing from our servers the links that allegedly infringe upon the copyrights of others. If we did not do so, we would be subject to a claim of copyright infringement, regardless of its merits. See http://www.educause.edu/Browse/645?PARENT_ID=254 for more information about the DMCA, and see http://www.google.com/dmca.html for the process that Blogger requires in order to make a DMCA complaint.

Blogger can reinstate these posts upon receipt of a counter notification pursuant to sections 512(g)(2) and 3) of the DMCA. For more information about the requirements of a counter notification and a link to a sample counter notification, see http://www.google.com/dmca.html#counter.

Please note that repeated violations to our Terms of Service may result in further remedial action taken against your Blogger account. If you have legal questions about this notification, you should retain your own legal counsel. If you have any other questions about this notification, please let us know.

Sincerely,

The Blogger Team

Affected URLs:

http://lostturntable.blogspot.com/2009/03/they-call-it-winwood-weird-soundtrack.html

Okay a few passages to note there.

1. They have the DMCA notice, they recieved it. However, they won’t give it to me. Instead they handed it off to a site called Chilling Effects, which is an independent site dedicated to provided help regarding DMCA notices and copyright law. Why they are more justified to recieve a legal notice regarding ME than I am I fail to see.

2. Blogger does not challenge any DMCA notice, so the notice could be entirely without merit but they’ll remove it anyway.

3. At not point do they mention WHAT I put up that violated the DMCA. The post in question had several songs from several different artists, who did I piss off? Why? I have no idea.

As I said before, this was originally sent to me on March 17, at which point I was told that Chilling Effects would post the notice on their site in “several weeks.” Well, fuck all that never happened. It’s been three full months now and I have yet to see my DMCA notice on their shitty joke of a goddamn site. I emailed the people at blogger and Chilling Effects four times to find out why and I didn’t even get a response.

Chilling Effects claims to be a resource to help people fight copyright abuse. That’s fucking bullshit. They’re a fucking joke. The site was founded by lawyers and legal experts (so they claim) so they should know that an important aspect in any legal matter is timeliness, and waiting more than three months to post a legal file ISN’T FUCKING TIMELY.

It’s bullshit. A complete crock. A joke of a site run by a piss stain of a group that doesn’t know what the fuck it’s doing. And the fact that they somehow have more of a right to a legal document related to MY blog is bullshit.

Now I understand that techincally this isn’t MY blog. It’s on Blogger’s servers and they are legally responsible. However, since I am in control of the content that is put on their servers, you think they’d want me to know what I did wrong so I might not do it again. Why does Chilling Effects get this information and not me? That’s fucked up. Who the fuck made Chlling Effects the guardians of all DMCA notices and legal resources?

The thing that pisses me off the most about all this bullshit is that no one, not a single person from Google, Blogger or Chilling Effects ever bothered to respond to the multiple emails I sent asking for more information. I emailed every support, question, news and help email address at Chilling Effects and I got nothing. I even emailed Wendy Seltzer, the woman “in charge” of the organization, and I got nothing.

How do I even know I got a DMCA notice if I’m not even allowed to fucking read it!

Fuck Chilling Effects.

Big Audio Dynamite
Free (Club Mix)
Free (Film Version)
The Bottom Line (Film & Club Version)
Punk ass bitches….anyways, “Free” is another great track by B.A.D. and the last one to feature the group’s original line-up. This song originally appeared on the soundtrack to the film “Flashback” and many of the odd movie samples in the song are from that movie. The Club Mix has one of those annoying false fade-out endings, that’s not my fault. “The Bottom Line” originally appeared on This Is Big Audio Dnyamite, but not in this extended form. These are all from a 12” single.

Iggy Pop
Motor Inn (Felix Da Housecat’s High Octane Mix)
Okay, this song is…um…something. I think I like it, I kind of go back and forth on it. Iggy Pop’s rambling about his “brown girl’s” titties is just embarrassing and the occasional yelping by Peaches is a bit unneccesary, but then again so is this entire electro remix which I got from a 12” single.

Eurythmics
Love Is a Stranger (Obsession Mix)

Another quick disclaimer; this is an odd mix that puts Lennox’s vocals in the back, instead focusing on the beat and electronic effects. This is not a fault of mine, if you wanna hear Annie’s beautiful voice more then buy Sweet Dreams, which is where the original version of this song is from. This remix is from a 12” single.

Howard Jones
Things Can Only Get Better (Extended Version)
I mentioned that I wanted this remix a while ago and two people offered it to me. I never took them up on the offer and bought the 12” single myself. I’m like that.

Posted in Big Audio Dynamite, Eurythmics, Howard Jones, Iggy Pop, rant, remixes | 9 Comments »

Willkommen auf der Drehscheibe Verloren

Tuesday, June 16th, 2009

I saw Nine Inch Nails last week. Good shit. Want to know how to make me go nuts? Perform a cover of a Gary Numan song. Trent did, rocking out an epic version of “Metal” that had everyone but me bored to tears. I want to start a Gary Numan tribute band. I bet I could get Gary Numan to join.

Anyways, I recorded some of the opening act, which is the Street Sweeper Social Club. It’s Tom Morello’s new band and they were much fun live. I’m reviewing their CD right now and I’m sad to report that the fun didn’t make it to the studio. I’ll give a link to that review in a few days. If you want to check their cover of MIA’s “Paper Planes” go here. The camera work is less-than-good I know.

Speaking of links to reviews…

Hell – Teufelswerk: I very rarely give 5 star reviews (I think) and I don’t toss around phrases like “best album ever” a lot, so take my word for it when I say that Teufelswerk just might be the best electronic album of the decade. This record blew my mind 8 times over, it’s just fucking amazing. This is the best electronic album I’ve heard in a decade, and probably the best since The Orb’s Adventures Beyond The Ultraworld, Aphex Twin’s Richard D. James album or The KLF’s White Room. Yes it is that damn good. I don’t know why more people aren’t talking about this album, it will change what you think house music can do.

Now for some stupid b-sides and remixes

The Pretenders
In The Sticks
This is an instrumental jam, recorded I don’t know when and written by I don’t know who. I grabbed it off of a compilation called “Attack of the Killer B’s” which features B-sides by a ton of popular artists, the next four songs are also from this same compilation. If anyone can give me any information about this tune I would greatly appreciate it.

The Blasters
What Will Lucy Do?
I know this is a cover of a Frankie Lee Sims song because I looked this one up. I knew it wasn’t a Blasters original because it sounds nothing like them. This song is older than your parents. It’s fairly awesome. A live version appears on a Blasters greatest hits compilation, but I think this is a studio cut.

John Hiatt
Take Time To Know Her
John Hiatt is most famous for writing songs that made other people famous, such as “Thing Called Love,” which Bonnie Raitt covered to massive success in 1989. This is uber-80s adult contemporary pop/blues. Dated but fun.

Peter Gabriel
Shock Den Affen
German version of Shock the Monkey. That’s the only way this song could be made weirder. Peter Gabriel actually released several of his albums in German, sadly they are all out of print in America. I wanna hear “Games Without Frontiers” in German.

The Time
Grace
Morris Day has a female reporter stroke his…ego in this silly skit. I think Morris Day is the only Prince protege that has a bigger ego than Prince. It’s kind of sad considering that The Time is best known nowadays for their cameo in Jay & Silent Bob Strike Back

Thomas Dolby
The Devil is an Englishman (Extended Version)
An extended remix of the theme song to Gothic, a horrible movie that no one has ever seen. I’ve already written more than anyone else ever has about that soundtrack, which you can read (and download) here.

Jesus & The Mary Chain
Surfin’ USA (Summer Mix)
How the fuck did this happen? They did a lot of drugs right? That’s the only explanation. From a 12” single I think, it’s been a while since I recorded this one.

Posted in B-sides, Jesus and The Mary Chain, John Hiatt, Peter Gabriel, remixes, The Blasters, The Pretenders, The Time, Thomas Dolby | 8 Comments »

Industrial Power-Pop Madness

Tuesday, June 2nd, 2009

Okay, Industrial Power-Pop doesn’t exist. If it did I think it would be the greatest thing ever though. I might have a massive rant or two in the coming days, so consider this the calm before the fuckstorm.

Cheap Trick
Anytime
Baby Talk
Brontosaurus
New Cheap Trick motherfucker! No, not here, here. Check it out because it’s totally awesome because Cheap Trick is one of the best bands of all time and if you don’t think so you suck. That’s my critical analysis for the night.

Anyways, like I said before, the songs I am posting tonight are not new Cheap Trick songs, they are in fact old Cheap Trick songs. “Anytime” is from their 1997 self-titled release, an album that I believe is woefully out of print. It’s a sleazy song about boning, in other words classic Cheap Trick. “Baby Talk” and “Brontosaurus” (which is a cover of a song by The Move) were only available on a two-track EP that came with some copies of the 1997 album. You can thank my mom for these tracks, since she was one of five people that bought this album when it came out, handing it off to me several years later.

KMFDM
These Boots Are Made For Walkin‘
These Boots Are Made For Walkin‘ (Bombs Remix)
These Boots Are Made For Walkin‘ (Candy Remix)
Back In The USSA
Why would KMFDM cover “These Boots Are Made For Walkin‘?” I got a better question for you, why wouldn’t they? All of these tracks are from a 4-track EP called Boots which came out in 2002.

Posted in B-sides, Cheap Trick, KMFDM, remixes | 5 Comments »

I Don’t The Twits and the Twits Don’t Like Me

Friday, May 29th, 2009

I’m pretty much done whining about the Twits. There’s only so much yelling you can do to the deaf. They’re obviously oblivious to their idiocy. I called one “an example of everything wrong with the Internet” and he said “thank you, that is a hell of a responsibility.”

Wait, what…that doesn’t even make any fucking sense! There’s no responsibility in being an example you idiot. You can be an example of why you shouldn’t smoke crack, that doesn’t carry any responsibility with it. Jesus Christ. I can’t debate/argue with that! I might as well retort with “Vanilla monkey sky flower!” It would make just as much sense, what’s the point. And complaining about attention whores is a futile endeavor since that’s what they want. It is sad that I haven’t become accustomed to the rampant vitriol and idiocy that dominates the Internet though.

Anyways, I promised two soundtracks tonight, but one of the albums sounds like shit and is going to take some time to clean up. So I grabbed something that is relevant to today’s events instead.

Marilyn Manson
The Horrible People
The Not-So-Beautiful People
Suicide Is Painless
These songs are doubly relevant considering my earlier post today was all about Trent Reznor and horrible people, an triply relevant since Manson has a new album out. “Beautiful People” was always my favorite Manson song, even though at the time I was not a big Manson fan. I thought his shtick was a bit too much and even as a teen I could see he was pandering to an audience. Looking back though I kind of miss the days when he was popular, at least he was trying to make people think, even if it was for bullshit reasons. I’d rather take a billion Marylin Manson’s than one Shinedown or Hinder or whatever the fuck is on radio right now. These mixes are from a 10” vinyl picture disc. I’m including his cover of “Suicide Is Painless” (which is from the Blair Witch 2 soundtrack) as a fucking hint for certain people out there.

The Thing Original Motion Picture Soundtrack
This was another one of my holy grail soundtracks that I’ve been looking for since as long as I’ve been collecting soundtracks. I got it for five bucks last week. Good deal considering the CD is worth twenty times that. As far as I know The Thing is the only Carpenter film that wasn’t scored by him. Instead he got the legendary Ennio Morricone, the composer of classics like The Good The Bad and the Ugly, The Untouchables and Mission to Mars (okay they aren’t all classics). This score is excellent, a great example of music’s ability to create tension, shock and manipulate your emotions. Be warned though, excessive listening may result in nightmares of Wilford Brimley trying to kill you.

Posted in covers, Ennio Morricone, Marilyn Manson, remixes, soundtrack | 1 Comment »

Critically Critical Of Critical Critics

Wednesday, May 27th, 2009

Okay, time for another rant against Pitchfork.

So 21st Century Breakdown came out a few weeks ago. I bought it and while I’ve only listened to the whole thing all the way through once, I enjoy it. It’s no American Idiot to be sure but it has its high points and is still better than Nimrod and Warning.

Still, if you don’t like the album that’s fine, that’s your opinion and you are more than welcome to it. Jess Harvell at Pitchfork did not like it, and he wants you to know right off the bat that he didn’t like American Idiot either, starting his review with “I wanted to like American Idiot. Really.”

Okay, Jess didn’t like American Idiot, big deal, but as the review continues he acts like that was the popular opinion, adding, “Two listens in, though, and it was clear: American Idiot was musically dodgy and politically empty. Political pop has its place, at least when didacticism doesn’t drain the wit and life from a band’s songwriting. But American Idiot failed utterly as coherent propaganda and as rock invigorating enough to agitate the pleasure centers.”

If he wants to think that fine, but considering that nearly every other critic in the world said the exact opposite, including the critic who reviewed the album for Pitchfork back when it first came out, maybe Jess should’ve realized that he’s in the minority with that opinion and state as such. If your only information about American Idiot came from this review you’d think that the album was an undeniable critical bomb (when it was, y’know, the opposite of that).

Harvell has no business reviewing this album. Not because he didn’t like American Idiot, but because he is obviously not suited to give the readers the information they want to know about the album, i.e. is it as good as American Idiot.

Partially-hypothetical example: I really really really do not like The Joshua Tree. I think it’s a bloated, indulgent piece of shit and there are only two things I hate in this world more than “With Or Without You,” and those things are “Where The Streets Have No Name” and “I Still Haven’t Found What I’m Looking For.”

My opinion of The Joshua Tree isn’t any more right or wrong as the next guy, however, I understand that I am in the minority viewpoint when it comes to that album. So, if I was a critic in 1991 tasked with writing a review to Achtung Baby (another album I’m not a fan of) I would not begin it with, “Joshua Tree was a failure of a record,” because that’s not really fair. In fact, me reviewing that album at all wouldn’t be fair, I would be ill-suited. Everyone reading a review of Achtung Baby would want to know if it sounded in comparison to The Joshua Tree, and me saying “it sucks less than that other album that I thought sucked” is not a valid answer to that question.

Can a critic review an album by a band he doesn’t like? Sure, but he has to be honest about it, say something like, “I’m not a fan of this band, but if you are and want more of the same by them then you should enjoy this record.” Instead of doing that Harvell retconned reality and turned American Idiot into a critical flop just because the truth didn’t fit his fucking lead.

And if anyone can tell me how a 4.8 album is worse than a 4.9 album I’ll give them a cookie.

They Might Be Giants
Cabbagetown
Siftin’
Larger Than Life (Joshua Fried’s remake of She’s Actual Size)
Holy shit TMBG b-sides! You have any idea how hard it is to find these? For a band as fan-friendly as TMBG it’s pretty amazing that they haven’t yet released a rarities compilation (that I’m aware of). Sure, there was Then: The Earlier Years but that only encompassed their first two LPs, we need more dammit! These b-sides are from the maxi-single of “I Palindrome I.”

The Sugarcubes
Vitamin (Babylon’s Burning)
Vitamin (E Mix)
Walkabout (Remix)
After buying that massive box set I was surprised to find out that there were singles by The Sugarcubes that I somehow didn’t own. “Vitamin” is not one of my favorite Sugarcubes tunes, so I’m not that into these remixes. I will say though that the “Vitamin (E Mix)” is one of the most cleverly named remixes I’ve seen that isn’t an Eraser remix, and the remix of “Walkabout” is pretty good.

Siouxsie And the Banshees
Fear (Of The Unknown) (Vertigo Mix)
Cities In Dust (Remix)
The Passenger (LLLLLoco-Motion Mix)
I’ve had that Vertigo Mix of “Fear (Of The Unknown)” for years, but it was a rip from a vinyl that looked like two cats had sex on it then died, so it sounded like shit. Thank god for random maxi-single finds are sub-par record shows! Strangely, the remix isn’t posted on the tracklisting of the single, but only on the CD itself, which makes me believe it was a last minute addition. It’s a hardcore house re-imagining of the track, and is pretty damned good, which is not that surprising since it was remixed by everyone’s favorite gay formerly meth-addicted DJ from PA, Junior Vasquez. The other two mixes are from 12” promo singles. I don’t know what makes the “Cities In Dust” mix that different than the LP version, but the remix of “The Passenger” is about 5 minutes longer than the album cut. Awesome cover.

Posted in B-sides, rant, remixes, Siouxsie and The Banshees, Sugarcubes, TMBG | 7 Comments »

Kirk Doesn’t Believe In Situation No Win

Monday, May 18th, 2009

Sorry for the unannounced week off. Shit happens.

On an entirely unrelated note, I saw Star Trek last week and must say that IT WAS THE BEST MOVIE IN THE HISTORY OF THE UNIVERSE. Totally. Like, it’s total fucking godhead good. It’s mind-blowing, pants-creaming extraordinary awesomeness that will make you forget about the war, the shitty economy, The Black-Eyed Peas and everything else that’s wrong with our world today. I’m planning at least two more trips to the theater to see it, and if you haven’t seen it yet then you’re fucking up. It’s awesome. Go now.

Actually, read my blog first, then go.

The Clash
Return To Brixton
Return To Brixton [Extended Mix]
Return To Brixton [SW2 Dub]
Now here’s something I never knew existed, dance remixes of Clash songs. “Return To Brixton” is, not surprisingly, a remix of “The Guns of Brixton,” which originally appeared on The Clash’s seminal 1979 album London Calling. These remixes popped up some 11 years later on a maxi-single that also included the original version. I have no idea what the reason was behind the creation or release of these mixes, as they don’t seem to be promoting anything – they don’t appear on any proper Clash album or compilation and they weren’t the beginning of some grand Clash remix campaign. On the back of the CD it mentions that the original version of the song is available on The Story Of The Clash Volume 1, but that came out in 1988 and this single came out in 1990. Regardless of the origins, the remixes aren’t bad, if entirely unnecessary.

Big Audio Dynamite II
Rush Dance
City Lights
Rush [Live]
The Globe (12″ Mix)
The Globe (Dub Version)
The Globe (By The Orb)
The Globe (Instrumental)
My B.A.D./B.A.D./Big Audio obsession is well documented, so you can imagine my joy when I found not one, but two maxi-singles (sealed!) for sale for three bucks a pop. “Rush” is probably one of my favorite songs in the history of the universe, and both the dance and live versions don’t disappoint. In fact, the live version ranks up there with the live version of “Fucking in Rhythm and Sorrow” as one of my all-time favorite live B-sides. “The Globe” is less awesome by comparison, but one of the remixes is by The Orb, and that’s pretty damned awesome.

More maxi-single goodness later this week.

Posted in B-sides, Big Audio Dynamite, live, remixes, The Clash | 8 Comments »

Better Living Through Orgone

Friday, May 8th, 2009

Not much to say tonight. Actually, I have a bit to say about various non-inportatant things, but I am very tired. Quick review notices:

Julien-K – Death To Analog: My original review for this was just going to be “Fuck these guys.” but my editor said that lacked impartial critisism.

The Future Sound Of London Presents The Pulse EPs: If you like Acid House and you do not own this CD collecting some of FSOL’s most essential (and woefully out of print) tracks then you are fucking up.

Now some tunes.

Kate Bush
Cloudbusting (The Organon Remix)
I was torn on putting this one up because the quality of the recording isn’t that great. There are quite a few pops and crackles and such, but I decided to post it because I’m sure the people who really want to hear it don’t give a shit. Besides, it’s a totally awesome song. How many other songs have you heard about machines that can disrupt the weather using the unseen forces that are created from orgasms? I thought not. This remix is from a 12” single.

Mental Note: I need to buy more Kate Bush 12” singles.

OMD
If You Leave (Extended Version)
La Femme Accident (Remixed Version)
Speaking of shitty recordings…I put this song up a very long time ago, back when I had a retarded turntable that spun too damn fast. I meant to repost this one in March, but I couldn’t find the damn thing in my horribly unorganized record collection. I finally did, so enjoy and spend the weekend waxing poetic about Molly Ringwald.

Todd Terry
Let It Ride (12” Edit)
Let It Ride (Tee’s Mix)
Blackout (Tee’s Out Mix)
And now for the drum ‘n’ bass portion of tonight’s program. Todd Terry is a house legend whose remixes you’ve probably heard before (on this blog most likely) having done remixes for artists as diverse as Garbage and Yes. I didn’t know he was into DnB as well, so these tracks were a pleasant surprise. They are all from the same 12” single.

Bedrock
Set In Stone
Forbidden Zone
Ah those wacky House DJs and their stupid-ass pseudonyms. Bedrock is John Digweed and Nick Muir, and while they aren’t as successful as Digweed’s other collaborative project (Sasha & Digweed) they do alright for themselves. “Set The Stone” is just alright, but “Forbidden Zone” is great, peaking wonderflully near the end. Pure house brilliance. These two trance/house tracks are from a 12” single. Immature sidenote: Having a name like “Digweed” must have sucked in junior high.

Posted in B-sides, Bedrock, Kate Bush, OMD, remixes, Todd Terry | 1 Comment »

SLOW BONGO FLOYD FTW!!!

Wednesday, April 29th, 2009

Today was the first time since I broke my rib/joint/tendon that I was able to work out. I just got done lifting weights while listening to Fear. I could punch God in the face right now I’m so pumped.

On a completely unrelated note, I finally got around to updating my blog roll, check it out, there’s some good stuff there, especially Friendsound, who get deluxe bonus points for putting up a rare CD by Scanner, one of my favorite electronic acts.

Tonight’s post is full of weird, awesome and weird awesome.

Slow Bongo Floyd
More Than Jesus (SBF Mix)
More Than Jesus (Irresistible Force Mix)
Open Your Heart (11 O’Clock Mix)
Open Your Heart (Piano Mix)
Talk about a surprise. I bought this record on a complete whim, mostly because of the ridiculous band name, and was complete gobsmacked by the unbelievable awesomeness hidden in its grooves. This is some crazy-ass Madchester shit to the 10th degree, house beats layered behind wah wah guitars and trippy-ass vocals. I can find next to nothing on these guys. There seems to be a semi-official site dedicated to them, but it’s bloody awful only giving out the most basic of information. That site mentions two albums, Acid House Inspirational and Brenda Salmons. I can’t find the first one anywhere but it seems that Brenda Salmons was just re-released digitally and you can pick it up on Amazon for a cheap six bucks! I bought it and am listening to it right now. I’ll let you all know how it is in the coming days. However, if you liked The Stone Roses or The Happy Mondays you need to download this shit and check it out, it’ll blow your mind that you haven’t heard it before. If anyone out there has any other rare Slow Bongo Floyd tracks for the love of God hook a brother up.

Heaven 17
Crushed By The Wheels Of Industry Parts One & Two (Uninterrupted Single Version)
Crushed By The Wheels Of Industry (Extended Dance Version)
I’m new to Heaven 17, having recently discovered how awesome early Human League was, I’ve branched out and picked up a few Heaven 17 singles and I have to be honest; I’m a little disapointed. I was hoping that the guys from Heaven 17 took the weird from Human League with them when they left, but it sounds like they didn’t. Based on the insanely dark name of this track I was expecting “Being Boiled” round 2, but instead I got an upbeat dance number about the opression of the working class. It’s not a bad song, but damn talk about not having something meet your expectations.

Lene Lovich
Blue Hotel (Dance Mix)
Lene Lovich was an American singer, but she found much more success in England, having signed to Stiff Records when all the cool kids (Elivs Costello, Ian Dury, Wreckless Eric) were doing it. This remix to one of her best tunes is from a 12” single. If you like it I suggest checking out her other stuff, it’s all pretty good.

Sparks
Rosebud (Extended Dance Mix)
Theme For Rosebud (Cinematic Mix)
Rosebud (FM Mix)
These guys are fucking weird. That’s all I got to say.

Posted in Heaven17, Lene Lovich, remixes, Slow Bongo Floyd, Sparks | 9 Comments »

Tubular Bananas in Tail Pipes

Monday, April 27th, 2009

I’m crazy busy reviewing awful music so just a quick post tonight, but before that some links to reviews of CDs that don’t suck.

Depeche Mode – Sound Of The Universe: I liked it, surprise I know.
Radiohead – OK Computer (Special Edition): Just fucking buy it.

J&B Orchestra
Tubular Bells (Club Mix)
Tubular Bells (Dub Mix)
On a list of tracks I thought would get remixed by a Disco Italo artist “Tubular Bells”…is actually pretty high up there. Disco Italo is weird, so it’s not that surprising. Imagine the corniest aspects of New Wave, Disco and House music…tha’ts Disco Italo. This remix/remake of “Tubular Bells” (AKA the song in The Exorcist) appropriately exorcises all creepiness from the track and turns it into a fun little club jam.

Harold Faltermeyer
Axel F (The M&M Mix)
Axel F (Extended Version)
I’ve been collecting records for 10 years now. I know I have a pretty impressive collection, but I’ve always thought something was missing. I looked at my shelves upon shelves of 12” singles with an emptyness in my heart, a lacking, a yearning for something I didn’t quite understand. But now that I have the 12” single to Axel F I knew that is what was lacking. That was the missing piece, the keystone if you will, to my collection. My collection is now complete (not really). These remixes are awesome and I suggest everyone listen to them whilst jogging and/or fighting to avenge James Russo’s death.

Side Note: The first mix has little, if nothing, to do with M&M’s…I think.

Posted in dubs, Harold Faltermeyer, JandB Orchestra, Mike Oldfield, remixes | 1 Comment »

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