If you’ve bought a super deluxe box set in the past two years and want to be interviewed about it for a magazine article, shoot me an email (addy is to the right).

I’ll have a post with actual music later tonight.

While I was in San Francisco for Outside Lands, I also made a special effort to hit as many of the city’s fine record stores as I possibly could. I have heard epic things about the San Francisco record store scene, and I certainly wasn’t dissapointed. It’s no Portland (which has over 10 independent stores) but it was still mighty impressive. So impressive, in fact, that I ended up having to buy an extra suitcase to pack all the damn records I bought.

Here’s a quick rundown of the stores I made it to during my time in that great city.

Amoeba Music
If you ask someone who has been to Amoeba to describe the store in one word, that word would probably be “massive.” You could also accept “huge,” “monstrous,” “cavernous,” and “really fucking big” (although technically that last one isn’t one word).

Seriously. It’s huge. It’s so huge that it’s hard to even put into words, but I’ll try. Imagine a Best Buy, now take out all the dicks in blue shirts, all the shitty computers, overpriced TVs and crappy video games and replace them with CDs and LPs. Then imagine a medium-sized grocery store filled with nothing but DVDs, Blu-rays, VHS tapes and freakin’ laserdiscs and slap that on to your mystical Best Buy. That’s how big Amoeba is. Okay, maybe it’s a little bigger, but you get the idea.

The store is so big that when I first walked in I didn’t even know where to being. I just kind of circled the outer peripheries of the aisles for a few minutes, plotting my plan of attack. I decided to start with the CDs since they’re easier to carry than LPs.

I have never seen a more well-organized/stocked/maintained CD selection in my entire life. The sections make sense: rock/pop, electronic, hip-hop, jazz, country, and the artists are all where they belong (no finding Depeche Mode in electronic or Johnny Cash in rock or shit like that). Each artist of note (and several hundred not-of-note) are given a placard, and in many cases each of their individual albums are given placards as well. For example, if you go to Bowie, David you’ll find an individual placard for Station To Station that has all the various versions of that album that the store has in stock. Such a great system. Box sets and deluxe editions that are slightly too big for the racks are on a shelf above, while the massive box sets get their own section near the end of each genre. It all make sense. It’s how record stores used to be, just on a supermassive scale.

The LPs are slightly less organized, but still well-maintained and relatively easy to search through. The rock section is the cleanest, with nearly every artist you could think of getting their own placard, while the electronic section is much more of a hodgepodge in a kinda-sorta alphabetical order. Everything is packed nice and loose though, so it’s easy to skim through each row. They also separate the new used arrivals from the genreal stock, so if you’re a frequent visitor you don’t have to dig through the general inventory every time you visit.

But all this wouldn’t have mattered if the prices are bullshit. Thankfully, prices at Amoeba seemed relatively fair. I never thought that I was paying too much for a used record, and in some cases I felt like I was getting a steal. They always seem to have a good selection of stuff on clearance (especially in the electronic section) and the only really expensive albums are the ones they put up on the wall, which can range anywhere from $10 to $2,000 (and in case your wondering, the $2,000 record was a butcher baby).

If there’s only one downfall of Amoeba, it’s that it’s too big. It’s staffed rather well, but they’re always busy making sure no one is trying to rip them off, so it’s hard to really talk to anyone. It feels more like a supermarket than a record store, and is lacking that laid-back independent record store vibe.

The being said, it’s definitely the coolest fucking supermarket in the world and it goes without saying that I’m in love with the place. I went there twice during my time in San Francisco and I bought so many records the first time I was there that they had to give me a box, not a bag, to carry them all out in. If you’re a record collector this place is fucking Mecca. A must visit no matter what.

Recycled Records
That isn’t to say that there aren’t other great record stores in San Francisco! Just down the street from Amoeba is Recycled Records. This store may not be as massive and awe-inspiring as Amoeba, but it has its own charm and personality, both of which really made it stand out to me.

The records are easy-to-access, just like Amoeba, and while the store is small, they have a very diverse selection of rock, hip-hop and electronic music. In terms of their selection, what really stood out to me was their soundtracks section. They have a wide variety of odd and weird movie soundtracks, I picked up a copy of the Starman soundtrack while I was there, and at a pretty reasonable price too.

What really makes Recycled Records a store to visit, however, is the staff. From what I could tell, two dudes man this place, and they are both some laid-back bros, even by San Francisco standards. I walked into their store hauling a big box of records from one of their competitors, but not only were they cool about it, they wanted me to show them what I picked up there. They even let me leave the box there while I walked around the neighborhood! If you’re looking for a solid little store with a ton of personality, this is a great place.

Groove Merchant Records
A few blocks down the hill from Recycled Records is Groove Merchant. They mostly deal in soul and hip-hop, so it really wasn’t for me. If you like that stuff, however, then you might want to check this place out. Their records were a little on the pricey side though.

Rasputin Music
Next to Amoeba, I spent the most time at this store in Union Square. It’s huge, but its hugeness is hidden by the fact that it’s spread out over five stories. The first floor has all the new releases, and you take the stairs to the second, which is where most of their DVD inventory is. From there, you take an elevator (which is always manned by an employee) to the rest of the store. The third floor houses the vinyl; on the fourth you’ll find rock, hip-hop and pop CDs; and on the fifth is everything else, including electronic music, jazz and experimental.

It’s a little daunting at first, but the layout make sense once you get the hang of it. All of their inventory is meticulouslyorganized, and everything is super-easy to look through. Their prices are excellent as well. I picked up some imports and hard-to-find 12″ Bjork singles at nearly half of what I would have expected to pay for them anywhere else. The staff isn’t especially friendly, but they are helpful and polite if you need them. A nice surprise, I’ll be coming back here for sure on my next trip.

Grooves
It’s all been sunshine and lollipops so far, but not all record stores in San Francisco were winners.

I really wanted to like Grooves. It seems like a cool little store. They had a ton of records, the dude behind the counter seemed alright and the customers were fun to talk to. However, the place is a freaking mess.

Records, records everywhere and not a way to look through them. The stacks are packed tight, so you have to pull records out before you can even shuffle through them to see whats there, and unless it’s a major artist, you’re going to have to shift through the miscellaneous sections (which weren’t in alphabetical order) to see if they have what you are looking for. Also, be prepared to crawl on the damn floor. As a tall dude, I really hate that.

Sometimes you can have too much of a good thing. Grooves needs to clear out its inventory so people can actually see what’s there. If they did that, the store would be amazing. As it is now, it’s still worth visiting, but only if you have a lot of patience and a strong back.

Streetlight Records
I didn’t get to spend a lot of time at Streetlight, located close to the Castro district, since they were closing up when I got there. From what I was able to shift through though, I could tell it was a pretty good store with a decent selection of tunes on both CD and vinyl. It was their CD singles selection that really impressed me though, I scored a ton of Madonna, Pet Shop Boys and Erasure CD singles there (which was how I knew I was close to Castro). A nice place, I just wish I had more to say about it, I’ll definitely have to check it out again the next time I go.

Black Pancake Records
This store is pretty new, and is run by guys who used to run a store called Tweekin Records. It’s very cramped (I nearly hit my head a few times) but they still let the records breathe, and they’re organized very well. It’s also run by a real cool dude. Not only did he let me use their bathroom, he recommended some solid LPs to me, and didn’t give me a “what the fuck” look when I snagged a 12″ single to the Streets of Fire theme song. That, combined with some great listening stations and an overall chill vibe, made me feel like I could hang out at this place all day.

Green Apple Books
Let me just say that the Green Apple Books is an AMAZING used book store, the kind of book store you just don’t see anymore, with piles of books stacked up as far as the eye can see. If you like books like I like records, then you’ll be in heaven though.

But if you like records, this might not be your place.

Green Apple has a sizable record and CD selection, but it’s a mess. Most of the CDs are kept in rickity shelves that you have to pull out slowly to look through, and most of them are at that uncomfortable knee-high level that makes them a (literal) pain to shift through.

The situation with their LPs is almost as bad. Nearly half of their record selection is on the ground, and for tall guys like me that’s no fun at all. Making matters even worse, the stacks are packed in too tight and too deep. Even with my massive wingspan, I was stretching to grab the records at the back of the shelf. How they expect anyone to find or buy records with a system like this is beyond me. It’s the one store I went to where I didn’t buy a single thing.

Aquarius Records
Are you looking for the newest (or oldest) albums by anyone who has ever even tried to possibly even maybe flirt with mainstream success? You won’t find them here. But if you’re looking for the b-side compilation to your favorite German 70s prog-group, or the latest release by the hottest Norwegian death metal album then you’ll be in luck here. Super-niche for sure, but still a lot of fun. And while their selection may be uber-hipster, the staff is still very friendly and polite.

If I missed any awesome San Fran stores let me know! I plan on returning there someday soon. I really fell in love with that city, and not just from the contact buzz.

Erasure
Hallowed Ground (Vince Clarke’s Big-Mix)
Chains Of Love (Almighty 12″ Definitive Mix)
Phantom Bride (Ghostly Groom Dub By FrankMusik)
A Little Respect (Wayne G & Andy Allder Hurdy Gurdy Club Mix)
Heart Of Stone (Joebot’s ‘Ounce Of Bounce’ Remix)
Phantom Bride (Dogmatix’s ’12” Tearless’ Mix)
Chains Of Love (Plastic Operator Remix)
These great remixes are from the Phantom Bride CD EP, which came out in 2009 but is already out of print in America for some reason. I bought it used at Streetlight, along with the Erasure singles that I featured last week. Every remix here is a home-run, download them all and have a fabulous night.

Front row, center under the drums. The big guy freaking the fuck out. That would be me.

New post coming very soon I promise. Take one guess as to who it will be about…

The majority of MP3 blogs I visit have gone dormant.

Comment and tell me some good MP3 blogs.

Thank you very much.

New music here either Monday or Tuesday.

I feel happy!

New posts this week I promise.

Man, and I almost thought I had nothing to talk about today.

Jack White (of The White Stripes, Raconteurs, Dead Weather…I’m sure I’m forgetting something) has his own label called Third Man Records. Jack White likes to release limited edition records through Third Man. Really limited, like 500 copies only limited.  In addition to that, there is also The Vault, a PAID member service that gets access to exclusive member-only vinyl.

All combined, that’s a lot of limited edition records for not a lot of people. So there’s a huge secondary market for Third Man limiteds. I’ve seen some get close to a grand on eBay. It’s annoying of course, but when dealing with ultra-rare limited edition records, it’s the name of the game.

Oh, but Jack White won’t have none of that. He considers that “flipping” and its a rip off of the fans! Jerk flippers (aka really good Capitalists) are taking records out of fans hands and selling them at jacked up prices on eBay right after they come out! Jack doesn’t like that at all! But not because it’s a rip off to the fans, but because he’s not making that money himself.

Now Jack is apparently selling limited editions records on eBay auctions. Skipping the whole middle man and flipping them himself.

Fuck you man.

The coverage of this on Antiquiet and Pitchfork hasn’t really touched the main issue, which is Jack White’ hypocrisy. A hypocrisy that became pretty damn apparent when Jack White went to the message boards and chat rooms of The Vault after the fans there nearly revolted. At one point he said “why should ebay flippers, who are not real fans, dictate the price, make all the profit”?

Well Jack, maybe because you encouraged them to do so?

From The Vault FAQ

“Why Should I Spend My Hard-Earned Money With you?”

Good question. In 2001 The White Stripes were featured in the Sub Pop Singles Club. It was a subscription-only service where the lucky subscriber received a 7” every month for a very reasonable price. A six-month subscription in 2001 would have cost you $35. The White Stripes’ Sub Pop single on Sub Pop now consistently sells for $250 on reputable online auction sites.

We hope you want to subscribe to our service because you’re a die-hard fan of the music comic out of Third Man. Even if you are not. It would at least be an investment plan far more reliable than Wall Street.

So Jack White wants you to buy the records as an investment…but never sell them. At least, not sell them right away, when he could be making that money.

Jack further ranted (in all lowercase), “don’t want a split colored limited edition record? then guess what? don’t buy one. don’t want them to be expensive? then guess what? don’t WANT them. it’s you and others wanting them that dictates the price and the entire nature of the idea.”

Once again, from The Vault FAQ

“I Want to Have a Copy of Everything Third Man Ever Releases…”

I’ll stop you rigth there Holmes. If you are one of those nuts (and believe me, we at Third Man are all those nuts too) who pays attention to every little detail of every record that you ever buy and keep a mental checklist of catalog numbers, then you have to subscribe to this club. Our numbering system will be inclusive of each of these Vault releases. You no subscribe to The Vault. You no have the complete run of Third Man Product.

This shows Jack White’s hypocrisy in two separate ways. First he tells why we should want his product, and then tells us that if we dont want to pay that much not to WANT it (as if that’s something you can turn off and on). Then He says that if you want every Third Man release then you HAVE to join The Vault to get them, but these auctions on eBay are public auctions, meaning that ANYONE can get the records, provided they have the cash.

So Jack, speaking as a longtime fan of The White Stripes, fuck you. Fuck your hypocrisy. Fuck your manufactured rarity. Fuck your bullshit indignation at people who are only doing what you want them to. Fuck your stupid overpriced records that you have to crack open in order to buy, and fuck your bullshit faux-down-home country lifestyle. You’re from Detroit  you prick.

Now here are some songs from records I paid less than $20 each for.

Madonna
Die Another Day (Dirty Vegas Main Mix)
Die Another Day (Thunderpuss Club Mix)
Die Another Day (Thee RetroLectro Mix)
Die Another Day (Deepsky Remix)
Die Another Day (Dirty Vegas Dub)
This is one of Madonna’s lesser tracks, but I still enjoy it. I’ll be honest though, I never saw the movie it was named after. The last Bond movie I saw was “The World Is Not Enough.” And yes, I am one of five people in the world who liked that silly mess of a movie. It also had a great song of course, but that’s not the focus here. These remixes vary. The best is the “Thee RetroLectro Mix,” which was by Felix Da Housecat. Although, I’m a huge fan of Felix Da Housecat, so maybe I’m a bit biased. The “Ditry Vegas” mixes are good, but like all things Dirty Vegas, they are also kind of boring.

Tori Amos
Professional Widow (Armand’s Star Trunk Funkin Mix)
Professional Widow (Just Da Funk Dub)
Professional Widow (MK Mix)
Professional Widow (MK Vampire Dub)
I was really digging these remixes for a while. So much that I decided to revisit the original version of Professional Widow for the first time in probably a decade or so (man I’m old). After being reminded just how amazing the original version is, I ended up liking these remixes a lot less to honest. All the anger and intensity of the original is taken out of these mixes. Instead random snippets of Tori going “it’s gotta be big” and “suck it” turn it into a tarted up song about size queens. Oh well. They’re still good remixes. These are all from a 12” single. The “Star Trunk Funkin Mix” is on the Piano collection that Tori put out a few years ago, but this is the longer, unedited version.