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Archive for the ‘Uncategorized’ Category
If you’re visiting this site for the first time because of my guest appearance on Retronauts, then you’re probably looking for some choice video game music, so here are some highlights from previous video game themed posts.
Beep! Video Game Discs
This is where you can find the dope remix of the Chase HQ theme I mentioned near the tail end of the podcast.
Dreamcast Vinyl Rips
Tracks taken from the weird white Dreamcast record that was an Australian pre-order exclusive.
More flexi-disc madness. This one is really out there.
I also have another site called Mostly-Retro, where I have talked about video game music on occasion.
New post later this week! It may be video game related.
Oh It’s Such A Shame
Post with actual rare music tomorrow.
Here we go again, I’m looking to unload some of my massive collection of vinyl and CDs, and I thought I’d give you all first dibs.
In case you missed my first sale, here’s how this works:
1. Click here to check out what I’m selling.
2. Shoot me an email (lostturntable AT yahoo DOT com) with an offer, try to include “I WANT TO BUY” in the subject. I get so much spam it’s like woah.
3. Assuming we agree on a price, you I will then remove the items off my list.
4. You pay me within 48 hours.
5. I ship your records.
Any questions, also shoot me an email.
Happy bidding, new post with music tomorrow!
Let’s talk about anger.
Anger for me is fuel. Especially when I’m writing. If I love something and think it’s great, I have a hard time writing about it. I suspect a lot of critics have this problem, that’s why so many of us love to review bad works. It’s easier. It’s easier to shit all over something that sucks than heap praise upon praise over something that’s great. There’s probably something you could read into that about the negative nature of humanity and humankind’s eagerness to knock others down as well. But I’m pissed enough as it is, so I’d rather not dwell on that.
But that’s just one kind of anger, and I guess a better word for it would be outrage. When you see a social injustice and it upsets you, you’re not angry, you’re outraged – it’s anger + indignation. And I guess that’s a good thing. That’s how shit gets done, even if said shit is a mean review of North.
Outrage and anger can be productive. They can be motivators.
But then there’s blind fury, rage and frustration. The kind of feeling you get when you find out you locked yourself out of your car, or stubbed both your big toes at the same time.
Rage is…probably a bad thing. Too bad I’m really good at it.
Now, I’m not the Hulk (I wish I was the Hulk!) and I’m not the kind of person to unleash fists of fury on someone because they look at me the wrong way. No. I’m the kind of braindead idiot who will fly into a blind burst of fury because I hit my head on my desk one too many times while hooking up my new computer. Or I’ll lose it after I find 20 typos in a blog post that’s been up for three years. Most often, I go a bit apeshit when I find out that I’ve screwed up something all on my own, with no one else to blame but myself. I would never beat someone else up for their mistakes and fuck ups, but I’ll batter myself to death if I find out that I’ve washed my laundry on the wrong cycle.
Basically, I’m trapped in an abusive relationship with myself. Don’t worry, we’re thinking about seeking counselling.
Why do I say all this? Well, if you follow me on Twitter (and you should, it’s a real shitshow sometimes), then you know that earlier today I found out that I accidentally recorded several weeks of recordings in mono. Why? Because I got lazy and forgot to reset my settings after changing audio ports.
Now, keep in mind, this isn’t something that should be a fucking problem in the fucking first place. Fucking Windows should fucking remember my fucking audio settings from port to fucking port. And even if if fucking shouldn’t, then it shouldn’t FUCKING ASSUME THE FUCKING DEFAULT IS FUCKING MONO EVEN WHEN MY FUCKING DEFAULTS IN MY FUCKING RECORDING SOFTWARE ARE FUCKING STEREO. FUCK.
Okay, yeah…that’s the kind of rage I was talking about.
Anyways, now I have to re-record about 30 hours of audio. A blast huh?
But don’t worry, even in my fits of smashing rage, I think of other people first. And the first things I re-recorded after finding out about this royal clusterfuck was everything that I shared here. It’s pretty much the sole reason why I’m up right now, at 1am, so the few of you who do actually read the words with the posts know about this and can download proper versions of the songs you got earlier.
So if you’ve downloaded any of the following files, and you don’t want shitty mono versions, download these copies now.
And if you appreciate my efforts to make things right for my own idiotic mistakes, maybe check out my other site and show it to some friends via Facebook, Twitter, Reddit, whatever? I’d appreciate it. Feelings of accomplishment make me rage less, I think.
Sweet Dreams (Are Made Of These) (’91 Remix)
Sweet Dreams (Are Made Of These (Nightmare Mix)
I Need A Man (Macho Mix)
I Need A Man (Edit)
Beethoven (I Love To Listen To) (Dance Mix)
Beethoven (I Love To Listen To) (7″ Edit) Orchestral Manoeuvres in the Dark
Brides Of Frankenstein (Mix)
Brides Of Frankenstein (Dub) Frankie Goes To Hollywood
Born To Run (Live) Underworld
Underneath The Radar (12″ Remix) Frank Black & Teenage Fanclub – The Peel Sessions
The Man Who Was Too Loud
The Jacques Tati
Sister Isabel Psychic TV
Joy (credited to DJ Doktor Megatrip with Luv Bass)
Thee Politics Ov Ecstasy (credited to Psychic TV & Jack The Tab) Garbage
Milk (D Mix)
Milk (Trance Mix) Dead Or Alive
You Spin Me Round (Like a Record)
Mighty Mix 2 Bonnie Tyler
Band of Gold (Extended Version)
Band of Gold (Dub) Röyksopp
Eple (Shakedown Remix)
Eple (Fatboy Slim Remix) Moby
Porcelain (Torsten Stenzel’s Remix)
Porcelain (Force Mass Motion Remix) Krust (Featuring Saul Williams)
Coded Language (Roni Size Desert Road Remix)
Coded Language (Roni Size Desert Road Instrumental)
So I’m launching that new site….now.
So what is it?
Well, that’s been one of the reasons why it’s taken me so long to launch it (aside from technical issues). Figuring out exactly what I wanted out of this secondary site was a bit challenging. I knew I didn’t want it to be just another MP3 blog. I already got one of those, obviously, and to be honest, I wanted to create something where I might be able to make some sort of money without worrying about the legal ramifications of selling ads and whatnot on a site that illegally hosts music. That’s not to say I’ll never post MP3s on the new site, but when I do they’ll be so obscure or random that I can’t imagine anyone associated with them would have any problem with me sharing them.
As the site name suggests, most of what I’ll be covering on it will be “retro” in nature. Older games, movies, music and such. However, not everything will be strictly nostalgic in nature. As you’ll see from going there, the first article is a guide to buying record sin Japan. As far as specifics, I’m still trying to work that out, to be honest. I’m shooting for something that’s fun and silly at times, but not afraid to have more serious or introspective content as well. Something between Dinosaur Dracula and Unwinnable is the tone I’m shooting for.
I already got some cool stuff lined up, at least I’d like to think so. Later this week you can expect a cool post on Kraftwerk and the first post in what I hope will be a recurring feature. Upcoming articles will include a multi-part post on Red Book audio in video games, a possible interview with an early synthesizer pioneer, and a marathon series of posts where I review every Tangerine Dream album from 1970 to 1990. Seriously.
I got a lot of stuff planned with this site, and I hope you all (and more) enjoy it. If you do, please share it with your friends. Tweet it, Facebook it, Google+ it. Whatever. Get the word out. The more people who read it, the more I’ll feel compelled to create content.
And finally, and this is the only time I will ever mention this, I have put up a “donate” button at the new site. People have asked me in the past about doing that here, and I’ve always been against it due to the nature of this site. But since Mostly-Retro is a different beast, I thought it would be more appropriate there. So if you like what I do and want to help me out…I won’t protest. But if you’re thinking “Pay? For articles I read for free? Fuck that!” hey, then that’s your prerogative and I’m not going to slight you for it.
Also, you might want to consider a career as a website editor.
One more thing, Mostly-Retro is still very much a huge work in progress. There are kinks I need to work out and some design issues I want to change. I know it’s not perfect. But I wanted to launch the damn thing already and I was going crazy trying to make it just right.
Anyways, I hope you like the new site. I’ll have a new post here tonight as well.
Stomach flu bad.
Late Of The Pier
Best In Class (Soulwax Remix)
Blueberry (Simon Bookish Remix)
I bought this 12″ single because it had the words “Soulwax Remix” on the front cover in all caps. I didn’t even know who the original artist was when I picked it up. I’ve heard enough Soulwax remixes to know that when they take hold of a track it they own it so much that they practically own it. This one is no exception. I checked out the original version on YouTube and the remix sounds nothing like it at all, and it’s also way, way better. This is a hardcore club banger. Pulse-pounding beats to the nines, 808s coming at you in full effect, madness. Fucking love it. The Simon Bookish mix isn’t half bad either, but I keep coming back to the Soulwax mix just because it’s that damn great.
Who Is It? (Freestyle USA Club Mix)
Who Is It? (Who’s Dub Is It)
Who Is It? (Freestyle Radio Version)
Who Is It? (UK Club Mix)
Who Is It? (Bonus Beats)
Electro up in your face like…someone who would be all up in your face (look I’m writing this at 9:30 in the morning so my metaphor skills haven’t really kicked in yet).
This shit makes me want to breakdance, which is kind of unfortunate considering that I can’t dance, let alone breakdance. Maybe I should start that up. Big tall dude tearing it up at breakdancing competitions, that would be a sight I bet. I could team up with that six-year-old girl and we could set the world on fire. It would be dope.
What? Sorry, got sidetracked. These are great, great remixes of a great, great song. Nothing tops early Mantronix. Grab this shit.
While my in-depth articles on buying records in Beijing and Tokyo are still in the works, I thought some of you might like to see some of the stuff I snagged. So here you go. No music tonight, I’ll have something up tomorrow though.
YMO (Yellow Magic Ochestra) are an amazing synthpop act from Japan who have been around since the late 1970s. One of the members is Ryuichi Sakamoto, who would later go on to some American success as an Oscar-winning film composer for his work on The Last Emperor. They’ve served as a major international influence on electronic music, but most of their best albums aren’t available in the states, so I snatched up as many as I could while in Japan. I bought almost all of these CDs at Tower Records(!!!) while I got the LPs from a variety of stores. All great finds. The live CDs are especially good.
I also grabbed some YMO-related albums, mostly solo projects and spin-off groups from the band’s three members. Of the ones I’ve listened to so far, I like The Beatniks one the most. That Summer Nerves album by Sakamoto is some ultra-cheesy disco and I love/hate it.
Boom Boom Satellites are another one of my favorite Japanese bands. Only their first album was released on CD in America, and most of their others aren’t even available digitally, so I had to grab as many as I could. Turns out they’re one hell of a prolific group, with nine albums and countless singles to their credit All these records are great by the way, if you like 90s-style electronica or electronic-rock ala Garbage then I highly recommend them. Their newest record, Embrace, is excellent.
One of my big goals in this trip was to find some X Japan on vinyl, but this proved much harder than I thought it would be. The only proper X Japan LP I could find was this picture disc of their last studio release, Dahlia, and it set me back about $50. I found a picture disc of one of their singles, but the store was asking (a fair) $200 for it and I passed.
I did find some cool X Japan-related material though, including their late guitar player Hide’s debut CD Hide Your Face (in deluxe packaging) and a copy of the band’s massive 2CD live album “On The Verge of Destruction.” The real treat, however, was that black box you see there. That’s not a CD nor an LP, it’s, in fact, a USB drive shaped like a heart!
Inside is the complete Hide discography in high quality MP3, including all his studio releases, both his live albums, and all his singles. Even better? I got it used for $40 at a camera store! Score!
Time for some wacky soundtracks. Of course I had to pick up some Godzilla LPs.
A selection of anime film scores.
The requisite Gundman BGM collections (spoiler: Japan LOVES Gundam)
And a nice assortment of Lupin The 3rd soundtracks. That one on the bottom right is especially interesting. It’s a two-LP set, and the front and back cover of one of the sleeves are pairs of interlaced images. On their own they look like a scrambled mess.
But when you slide the outer sleeve over them and adjust it accordingly, the real images become clear.
Simple but cool.
I really wanted to get some video game soundtracks on vinyl when I was in Japan, but this proved to be a near impossibility. In fact, I only found one but it’s a goodie. You can expect that on here soon.
While I couldn’t get much in the way of video game vinyl, I did end up snagging a good deal of game soundtracks on CD. Got some good stuff including some Sega and Nintendo greatest hits. The Bare Knuckle (Streets Of Rage) CD was a real find, and cost accordingly.
Some other great soundtracks. Breakin’ 2 and Warlock, together at last!
Got some great soundtracks on CD as well. That 2CD set of The Fog is a real nice find.
Of course, coming across this one made me really happy. I think I scared some clerks with my yelling. Or maybe it was because I’m 6’6″ tall?
I was hoping to pick up some Nirvana when I was there, and thankfully the local stores didn’t disappoint. All of these are first printings, and all look flawless. Definitely stoked to pick these up. On a related note, I now own six different versions of Nevermind on CD and vinyl, and four different versions of Incesticide. No, I don’t have a problem. I can stop anytime I want to.
You know who’s big in Japan? Japan.
Public Image Ltd. is also apparently big in Japan, if the wealth of PiL vinyl I saw was any indication.
Also got this pretty radical CD box set.
Who likes brit-pop singles box sets?
Wow again! I now own the America, German and Japanese pressings of this record. No wonder I’m running out of shelf space for my LPs.
I’ve never seen so much 90s vinyl in my life as I did in Japan.
Came across a lot of Dinosaur Jr. and Dinosaur Jr. related records while I was in Tokyo as well, I don’t know why. I sure bought a lot of it though.
Some random silliness.
Random silliness continues. Once I bought one I had to get the other.
Some lovely nostalgia. Seeing The Muppet Show soundtrack made me squee with joy, while I picked up the Saturday Morning Cartoons compilation just for fun, I bought that CD the week it came out, it has some of my favorite tracks from the era (Sponge’s take on “Speed Racer,” The Ramones tearing up the theme to “Spider-Man”).
If there’s a more appropriate record to pick up in Japan I don’t know what it is. Thank you very much Mr. Roboto.
Of course, there was plenty more where that came from, but I don’t want to ruin all the surprises!
Hoped you like this, stay tuned for a lot of music this week!
I just have a nasty head cold and hella jet lag.
New post coming soon.
PS: I bought all the music in Japan. It’s all gone. Sorry.
As this post goes up I will probably be finishing up my trip in China and getting ready to head off to Japan. That will be the closest I ever make it to Australia, so I thought I’d share a concert that was recorded down under to mark the occasion.
Why will I never go to Australia? Because I don’t want to be killed by any of the deadly spiders, snakes, insects, fish, jellyfish, dingoes, kangaroos bats or koalas that seem to roam around that country with impunity.
That, and records cost a fucking fortune there.
Nirvana – Live In Melbourne, February 1st, 1992 (Complete concert link)
About A Girl
Come As You Are
Smells Like Teen Spirit
On A Plain
Been a while since I shared a Nirvana bootleg so I thought I’d ring in the New Year with one.
I do know there are other source recordings for this show, it shows up quite a bit on various bootleg sites in varying degrees of quality. It’s been released on CD at least four times, under the names “In A Land Far Far Away,” “The Druids Jam,” “Melbourne 1992″ and “Narcolepsy.” My source for this recording was a 2LP set that came in a plain white sleeve and a sheet of paper with a “Live Wire” logo. Beneath that was the text “Show #57 for the week of October 13.” I can assume then that Live Wire was a radio show that featured live performances, and this was the performance for that week.
I think this version that I have sounds pretty damn good, and the records were very well taken care of so I barely had to do any cleaning to the recordings. About the only problems with the audio are from the source material. Parts of this set are pretty feedback-laden, and Kurt and company didn’t seem to be completely on fire that night, making a few mistakes early on before settling into a nice groove. There is also no talk from Kurt, Dave or Krist for the entirety of the concert. Nirvana was never a band that was chatty with the audience, but most shows I have include at least a little bit of wacky banter from Krist, this one has nothing at all.
As it stands though, this is a pretty good concert, warts and all. It also has an honest-to-goodness rarity, the instrumental “Druid’s Jam,” (a name that a fan probably created). It’s pretty much just four minutes of feedback and noise, but hey, it’s something.