A Gay Disco Deep Cut by Beckie Bell

Sorry for the lack of posts for the past two weeks. I place blame on a variety of factors, including a heavy work load, heat-induced malaise, and various other minor health annoyances. Although I guess most of those would be bullshit reasons next to my recent obsessive playing of Dead Cells. I could’ve written a novel with the time I sunk into that game last week. I guess I’m saying that recommend it if you want a really good excuse to procrastinate and accomplish literally nothing with your life.

But I thought I would take a back from the procedurally-generated nonsense and give you some gay disco.

Beckie Bell
Super Queen
Johnnie’s Home

Saw this 12″ single in a record store a few weeks back and was about to pass it up when I noticed that “PATRICK COWLEY” was written on the label in all caps, followed by a bunch of kanji I couldn’t even begin to read.

From what I found online, “Super Queen” features synthesizer work by the Hi-NRG master, although with the caveat of it being uncredited. I’m liable to believe it, why would someone make that up after all, but how do we know it was him? Anyone out there care to present corroboration to back up this claim?

The b-side is “Johnnie’s Home,” which is a radically different tune to “Super Queen.” While the A-side is a marvel of Hi-ENRG sequences and beats, “Johnie’s Home” is just weird. It’s part doo-wop and part reggae almost, with a strong synthesizer bent. It’s like if The Shrielles, The Ronettes, and UB40 did a mash-up. Does that make it sound bad? Because it’s not, it’s just a little out there.

I bought this track because of Cowley, but the songs are by Beckie Bell, who released her first album back in 1980, and put out a follow-up some 14 years later. That original album must have a following, as vinyl copies can seemingly go for over $100. CDs are much cheaper, if you’re interested. I’ve never heard of Bell before I bought this single, but it turns out that I have heard her voice since she worked as a session player throughout a good chunk of the 80s and 90s. She’s one Duran Duran’s Big Thing, The One by Elton John, and even shows up on a few records by Celine Dion. The career paths of incredibly talented sessions players will never cease to amaze me.

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