Archive for the ‘Jeanie Tracy’ Category

Don’t Leave Me This Way 2x

Thursday, October 10th, 2013

Apparently, if you do a Google search for my site right now, it says that I might have been hacked. However, EVERYTHING IS FINE. Apparently some dickweed was using my site to put up spam pages selling viagra, but the page has been removed and all traces of the hack have been scrubbed from my site, thanks to my hosting provider. None of this was ever a security threat to any of you, I just wanted to let you know in case you were searching for my site and came across the warning. I submitted a review to Google, and hopefully they’ll remove the warning once they realize my shit is clean. Of course, knowing Google’s track record with giving a shit about the small guy, I expect this to happen sometime around 2019.

Anyways, some new stuff up at Mostly-Retro. First, a review of a shit release by Mondo Tees, followed by a weird thing about finding undeveloped disposable cameras. And football.

I told you it was weird.

The Communards
Don’t Leave Me This Way (Mega Mix)
Don’t Leave Me This Way (The Gotham City Mix)
The Communards were Jimmy Sommeville’s second band, formed after he left The Bronski Beat in 1986. They, surprise, sounded a lot like The Bronski Beat, but it would be hard not to with Sommerville’s overpowering falsetto. This was the third single from their debut album, and for it they were joined by Sarah Jane Morris, a jazz singer whose voice is about two octaves lower than Sommerville’s. However, both their voices are booming as all hell, making a duet between them a pretty intense experience.

Making things more intense is the fact that both of these remixes are each 11 freaking minutes long. That’s insane. INSANE. Bu that’s nothing, they also released a remix that was a “what the fuck” inducing 22 minutes long.

Now, I’ve long gone on the record as saying that if a song is great then the best thing a remix can do is just make it even longer, I cite the 9-minute remix of George Clinton’s “Atomic Dog” as concrete evidence of this. But let’s not get crazy. Shit, even these 11-minute remixes try my patience a bit. But I’m not going to hate on any decent version of “Don’t Leave Me This Way” and Sommerville’s vocals carry both these versions just fine, even if they do drag on for just a smidge too long. The keyboard solo in Gotham City mix is pretty great too.

Jeanie Tracy
Don’t Leave Me This Way
Don’t Leave Me This Way (Mixed by Sylvester)
Hey, look it’s more “Don’t Leave Me This Way!” It’s almost like I planned this shit.

I found the original mix of this a while ago and have been loving it ever since, but my goal was always to find the Sylvester Mix, because, well, Sylvester is dope. I actually bought a 12″ single with that mix on it when I was in San Francisco, but it turned out the record was way too warped to play. Total buzzkill.

However, I somewhat serendipitously found a copy of the same single at my local record store just two weeks later, and it was in mint condition! There was much rejoicing.

There was so much rejoicing that I started to research Megatone, the label that released the single, and discovered that three 2CD collections of Megatone 12″ singles were released a few years back. So I just went ahead and bought all three of those. The version of the Sylvester mix that I’m sharing tonight is from one of those collections, it sounded better than my vinyl rip.

I mean, I’m moving to another freaking country in a few months, I need to…stock up on my….predominately gay-themed disco compilations.

Shut up. Don’t judge me.

Both of these versions are FUCKING AMAZING. By the way. Jeanie Tracy for President.


A Gay Disco Protest

Tuesday, May 8th, 2012

Congratulations North Carolina! You passed an amendment to ban gay marriage, making it the second amendment in your state to limit marriage rights. In case you were wondering, the first was in the 187s0, when you banned interracial marriage.

I don’t know about you, but news like that makes me want to dance to some incredibly gay disco as an act of defiance. I hope this post can serve as a soundtrack to a giant gay dance party in North Carolina, preferably one outside a church run by closet-case homophobes who all secretly want to drop the bibles and vamp out to “It’s Raining Men.” Specifically, I’m posting tracks from an album called 12 x 12. It’s a compilation of dance tunes that were produced by Patrick Cowley, a dance legend who passed away from AIDS in 1982, leaving behind a brief but vitally important legacy of amazing electronic disco that served as a huge influence for synthpop. Even if you don’t like disco, give this stuff a chance, you might be surprised.

And if you did, or would, vote to ban gay marriage, I hope you get outed as the closet case hatemonger you are. Fuckers.

Don’t Stop (Remix)
Be With You (Holland Remix)
Sylvester was one of the absolute queens of disco, never mind the fact that he was a man. My only experience with him before I bought this LP was his megahit “You Make Me Feel (Mighty Real),” and he’s downright manly on that tune compared to his vocal delivery on these tracks. His voice caught me so off guard on “Sex” that I double-checked the linear notes to make sure I was listening to the right song and that it was indeed a man singing. If you like these tunes, then be sure to check out “Do You Wanna Funk” on iTunes or Amazon, the greatest track that Cowley and Sylvester made together. It’s epic.

Patrick Cowley
Megatron Man (Remix)
Want to know where the Pet Shop Boys got their sound? Listen to this remix of  “Megatron Man” and you’ll find out. As for “Menergy,” that’s the second-gayest disco song of all-time, to find out about the first, keep reading.

Scherrie Payne
One Night Only
Scherrie Payne is Freda Payne’s little sister, and was in The Supremes for most of the 70s. This song is a remake of a track that was originally in the Broadway musical Dreamgirls. That version is a torch song ballad (geez that musical has a ton of those doesn’t it?), this version is a disco-tastic bit of fabulousness, it’s way better. I wonder if Cowley ever crafted his own version of “I Am Telling You I Am Not Going”? That would have been intense.

Last Call
Jolo were Jo-Carol Block Davidson and Lauren Carter. I think they primarily served as vocalists for Cowley, but they did get a writing credit for this song, so they were perhaps more involved in the creative process than a lot of other singers of the era. This track is a typical “I hope I can find someone to go home with before the bar closes” number, but it’s still fun and has a great beat. The synthesized string interlude is excellent.

Modern Rocketry & Jolo
Cuba Libre (Remix)
Modern Rocketry have another track on this compilation, a discofied cover of The Monkees’ “I’m Not Your Stepping Stone” that really has to be heard to be believed. You can get it on Amazon. As for who Modern Rocketry is, I’ll let their Last.FM profile speak for them:

“They’re not very well known – in fact they’re downright obscure – but what little fame they enjoyed was probably due to their 1985 release, best described as the gayest disco song ever. ‘Homosexuality,’ with its b-side of ‘Thank God For Men.'”

Shocking that a song like that didn’t have crossover appeal.

Jeanie Tracy
Don’t Leave Me this Way
Thelma Houston’s version of “Don’t Leave Me This Way” is one of the very few non-electronic disco tracks that I can appreciate at all, so finding this synthesizer-happy cover was a gift from the gods. Because if there’s anything the original version was missing, it was extraneous laser sound effects.

Jeanie Tracy was a big member of the Cowley camp, and she released several singles for Cowley’s Megatone record label, even after he passed away. She was also a very close friend of Sylvester’s, and reportedly cared for him as he lost his battle with AIDS in 1987.

Le Jeté
La Cage Aux Folles
Le Jeté released one single, and this is it. I know nothing about them, so if anyone wants to chime in that would be great.