In two days I went to two concerts; Matt & Kim and Girl Talk. Both shows were insane spectacles of awesomeness that were filled with skinny little hipsters that I wanted to kill. Note to guys, stop wearing v-neck t-shirts and Kanye shutter glasses. It’s not cool, it’s not funny, it’s not “ironic,” it’s fucking annoying and I will smack you. And note to girls, if you’re going to dance on stage and wear a mini-skirt you should probably wear underwear (or not, I’m cool with whatever.)

On an unrelated note, I apologize for the lack of updates lately, hopefully after Thanksgiving shit will slow down for me a bit so I can get back to shit I like doing (like this).

Faithless
Insomnia (Armand’s European Vacation Mix)
Insomnia (Armand’s Mission To Mars Mix)
Insomnia (Monster Mix)
Insomnia (De Donatis Mix)
This was the enigmatic “more faithless” I hinted at a couple of weeks ago, and I think you all will agree with me that remixes of this seminal house/trip-hop classic are better than remixes of the Boy George-centric “Why Go.” If you disagree with that your opinion is wrong, “Insomnia” is one of the greatest electronic tracks of all time.

808 State
Pacific 0101
Pacific Break
Pacific 516
Okay, so how many versions of “Pacific” are there? In addition to these three (which are off of a 12” single) there are also versions numbered 202, 718, 212, 909, and one just called “Pacific State.” I have 909, but it’s scratched to hell and I couldn’t fix it up enough to put up here, sorry about that. This is some good chill shit.

Chris & Cosey
Exotika (Remix)
Workout
Beatbeatbeat (Live)
Rise (12” Remix)
Hypnotika
I know very little about Chris & Cosey, other than they were both members of Throbbing Gristle. I’m also very tired so I’m going to stop now. These remixes are from two different 12” singles.

I’ve been to Toledo four times since August, and three of those times I’ve come back sick. I think that makes it official, I’m allergic to Northwest Ohio.

Daft Punk
Harder Better Faster Stronger (Peter Heller’s Stylus Mix)
Harder Better Faster Stronger (Peter’s Beatz)
Harder Better Faster Stronger (Breakers Break Remix)
Harder Better Faster Stronger (Pete Heller’s Deeper Dub)
So I see this 12” single with remixes of “Harder Better Faster Stronger” and I’m like, “fuck yea, that’s the best song ever, those remixes are gonna be insane!” Actually, I was wrong. Since “Harder Better Faster Stronger” is in my list for the top 5 electronic tracks of all time, it’s damn near impossible to improve. So while all these remixes are fun and pretty good, they all pale in comparison to the original. They are all better than that damned Kanye song though, for what that’s worth.

The Chemical Brothers
H.I.A.
Come With Us (Fatboy Slim Remix)
Come With Us (H Foundation Remix)
What does H.I.A. stand for? Any takers? Horny In Alabama? Hot Ill Aardvarks? Horribly Infected Anus? (Sorry about that one.) I have no clue. It’s a non-album track taken from the 12” single to “Come With Us,” and is pretty much a dub/instrumental remix of that song. Fatboy Slim’s remix of “Come With Us” is balls-out nuts awesome.

Sci-Clone
Hold On
Lucid
If you Google “Sci-Clone” the first thing that comes up is a pharmaceutical company. If “Sci Clone” isn’t the most fucked up terrifying name for a drug company than I don’t know what is. Sounds like some company that starts the research that leads to the zombie apocalypse. Those bastards will be the death of us all. This bastard, on the other hand, is going to give you some great drum ‘n’ bass love in the form of these two tracks, which came from a 12” single. Both of these tracks combine DnB with jazz (I’m always shocked at how well that works) and should appeal to those out there who usually pass on DnB because it’s too crazy.

Increased blog posting throughout the week in an effort to maintain my sanity while exiled in Northwest Ohio. It’s grim up north.

Depeche Mode
Behind The Wheel/Route 66 (Megamix)
Behind The Wheel/Route 66 (Megadub)
Behind The Wheel/Route 66 (Extended Remix)
Behind The Wheel/Route 66 (Beatmasters Mix)
I had this for well over a year but never recorded it. I have no idea why. Ever seen Cars? It had a really shitty version of Route 66 by John Mayer. They should have used this one, totally would have been an entirely different movie. I just watched Wall-E with the commentary and the director said how he combined post-apocalyptic sci-fi imagery with music from Hello Dolly because they are polar opposites and the combination created something unique. I wish he would have been working on Cars, New Wave synthpop plus Americana/Western images would have been an awesome mix-up. These are all from a 12” promo single.

Faithless
Why Go (Ferry Corsten Remix)
Why Go (Faithless Mix 1)
Why Go (Lange Remix)
Why Go (Fused Why Stay Remix)
I have more Faithless at home. But I am not home. So that Faithless will have to wait. Why Go is one of their lesser songs in my opinion, probably because I’m not a huge fan of Boy George’s voice (although his fashion sense is fabulous…ly stupid). Grunge fans take note, this song is of no relation to the Pearl Jam tune of the same name. That would be weird. Still, these are some pretty good remixes that I grabbed off of a 12” single.

A quick round up of my latest reviews

Marnie Stern: This Is It… – The best album of the year. No contest.

Hadouken!: Music For An Accelerated Culture – Grime? Grindie? Fuck it, it’s just stupid.

ph10: Well Connected – Fun DnB. I like this record, even if the person who commented on my review seems to think I didn’t.

Mr. Meeble: Never Trust The Chinese – Not even half as good as that awesome title would suggest.

Live
Lift Me Up
I had to scour the damned interwebs to find this motherfucker. This song is in Zack And Miri Make A Porno during a very…intense scene. It’s a beautiful goddamn song. However, not only is it not on the soundtrack to the movie it’s not on any Live album! The story goes that Kevin Smith first heard the song while making Mallrats but Live wouldn’t let him use it in that movie and since they hadn’t released it some 13 years later he asked them again for this movie and they said yes. Now, I still kind of like Live, but they haven’t released a song this good in ages, what the fuck is their problem? If they put this song out on iTunes people will buy it. The quality of this MP3 isn’t perfect, but this is probably the only one you’re going to find for a while.

Erykah Badu
On & On (“I’m Feeling High” Vocal House Mix)
On & On (“I’m Feeling High” Dub Mix)
Aside from “Lift Me Up” all of the songs on tonight’s post were taken from white label 12” singles. These are the only two songs of the bunch that are from an actual official release, a promo single that had in massive print “FOR DJ USE ONLY.” “On & On” is my fav Badu song, and surprisingly enough, the song actually works well in club/house remix form.

Depeche Mode
It’s No Good (Club 69 Dub)
It’s No Good (Club 69 Remix)
This one wasn’t labeled outside of someone writing “Depeche Mode” on the label in blue ink. I found out the name of the remixes by Googling the number that was etched into the vinyl itself. Club 69 is not a place, but a person who’s real name is Peter Rauhofer. He’s pretty well-established in the remix community (even won a Grammy) so these remixes were probably released legitly at some point.

Donna Summer & Giorgio Moroder
Chasing Donna
This remix, however, probably never was. I grabbed this off of a very strange 12”. One side has a horrible song that incorporates (rather poorly) a sample of Samuel L. Jackson Ekezial speech from Pulp Fiction and shit house beat. That side was labeled as “Pulp Fiction,” but for some strange reason above that were the words “Led Zeppelin” crossed out. Odd. Anyways, that song is awful, this song however is the opposite of awful (it’s totally awesome). It’s a mash-up remix that combines the vocal of Donna Summer’s “I Feel Love” with the main theme music from the movie Midnight Express, which was called “The Chase.” Both songs were composed originally by Giorgio Moroder, but I don’t know the identity of the remixer that mashed them up. Between the Pulp Fiction track and the Chasin Amy reference of this one, I can only assume that it was done by someone who loves 90s indie cinema.

Obama won! Yay.

People still hate gays! Boo.

So that’s my political post. Slightly unrelated side note, I badmouthed Michael Crichton on Monday and the dude went and dropped dead just hours later, so maybe I should lay off the bile for a bit (yeah, right). But seriously even though Crichton was kind of a douche he was a great writer and I’m sure his passing is a blow to those who loved him. So he will be missed. Go read Andromeda Strain if you haven’t dammit, it’s an amazing book.

Now, who wants rare 80s soundtracks by Tangerine Dream? I know I do!

Wavelength Original Soundtrack
Heartbreakers Original Soundtrack
I haven’t seen either of these films, but here’s what I’ve been able to gather about them. Wavelength was an independently produced film about aliens being held captive by the evil military and only Robert Carradine can save them. It was directed by a dude named Mike Gray, who went on the produce and write some episodes of Star Trek: TNG. It came out and then left about five minutes later. No one saw it and as far as I can tell there’s little evidence that the movie even exists. The few reviews I found were overwhelmingly blah, and its currently out of print (and I’m not going to hunt it down to find out more about it).

Now Heartbreakers I found a little bit more about. It was made by Bobby Roth, who’s directed a billion TV shows since then and starred Peter Coyote and Nick Mancuso, two actors who you’ve never heard of but seen thousands of times. This movie was slightly more well recieved than Wavelength. It played Sundance (back when actual independent films played it) and Ebert gave it four stars (he also gave Titan A.E. three and a half stars though, so take his recommendation with a grain of salt). Despite this somewhat warm reception this movie is also out of print (and I’m also not going to hunt this one down either).

Both soundtracks are typical 80s Tangerine Dream. I personally like Wavelength more because its tone is a bit more somber and understated, the music for Heartbreakers is very over-the-top 80s sounding (in all the bad ways). Still if you like Tangerine Dream you should dig on these and since they’re both insanely out of print (how many times can I type “out of print” in one post?) this is the only place you’re going to find them without paying an arm and leg (and neither of them are that good..maybe worth a pinkie and a toenail, but that’s it).

Go vote, while listening to obscure electronic music.

The Andromeda Strain Original Electronic Soundtrack
The Andromeda Strain is one of my favorite science-fiction books of all time, and is without a doubt my favorite Michael Crichton book. I used to be a big fan of that guy, until he lost his fucking mind and decided that writing about fake science made him a real scientist (FACT: anyone involved with the production of Runaway should not be invited to speak in front of congress). Anyways, I’ve only seen the original Andromeda Strain movie once, but I recall liking it (and being confused that one of the characters switched genders from the book to the film).

Both the movie and the book are readily available, and I recommend them both. The soundtrack is a little harder to come by, however. Never released on CD, the original vinyl records were hexagon-shaped and came in an awesome foldout case. They only made 10,000 of them this way (because of the high cost in doing so), while later copies were made regularly. Both versions are insanely hard to find. I got a copy with a slightly torn cover for $20, but a near mint copy can easily go for $100-$200 online, so I got a deal. The music itself is great early electronic music, all synthesizer stuff. It was composed by Gil Melle, who may be known to genre film fans as the composer to such classic films as Blood Beach and The Sentinel (one of the most FUCKED UP movies you will ever see). He also did the scores for episodes of Night Gallery, Six Million Dollar Man and Columbo. Diverse dude.

Liquid Sky Original Motion Picture Soundtrack
This is a movie I have not seen. As far as I know this movie is out of print, despite it being listed on Amazon (that looks like a bootleg). From what I can gather the movie is about alien heroin addicts. Sounds like my kind of flick. The soundtrack is just as weird as the film. It was composed on a Fairlight CMI (the first digital synthesizer) and is very experimental, featuring an odd assortment of jarring tonal sounds, off-kilter melodies and freaky beats. I dig it. The director/writer/producer Slava Tsukerman is credited as a composer of the soundtrack, as is Brenda Hutchinson, who is a freaky experimental musician, and Clive Smith, who’s done a bunch of TV stuff over the years. Never released on CD and insanely hard to find, it’s a must listen for fans of weird shit.

See below for rant(s).

Depeche Mode
Strangelove (Pain Mix)
Pain? You wanna experience pain? Real pain? Pain that grabs you at your soul and tears your will to live apart? Check out Hilary Duff’s new song “Reach Out” samples fucking completely rips off Depeche Mode’s “Personal Jesus.”

This shit pissed me off for all kinds of reasons. First of all, it’s a new track from her “Greatest Hits” collection. Now, when someone releases a “Greatest Hits” collection that usually means they have a large body of work from which to draw from. Hilary Duff has released three albums, that’s it. Just three shitty little albums (four if you count her Christmas record). Not only that, this is her third “Greatest Hits” album! What the fuck? How does that happen? I get that kids like her because of that Disney shit, but how fucking stupid/rich can pre-teen girls be? Also, doesn’t “Greatest Hits” imply that she’s had hit singles? How many hits has Hilary Duff had outside of Radio Disney?

Now, for the song itself…look, I have nothing against sampling, I even have nothing against songs that are built entirely off a sample of another. I loved Rihanna’s “Shut Up And Drive” which was based on Orgy’s cover of “Blue Monday,” TuPac’s “Changes” (samples “The Way It Is” by Bruce Hornsby) and even that retarded Eric Prydz song that samples Steve Winwood (of course, that might be just because of the video), but this shit is just lazy. It’s like when Jessica Simpson sampled “Jack and Diane” for her shitty song or any fucking song that Samantha Mumba’s released ever. It’s fucking lazy, especially when the song is so well known. It’s like they’re saying, “we can’t write our own hook, so let’s just take someone else’s, and while we’re at it, let’s take their choruses, verses and bridges too. “

And at least Rihanna can sing, TuPac could rap and Prydz can…hire hot girls for a video (just kidding, I like the song for other reasons too). Hilary Duff can’t fucking sing for shit. I hope her producer got a bonus each time he had to use the auto-tuner. Hey Hilary, next time you want to sample a great synthpop song I suggest you “Enjoy the Silence” and shut your no-talent pie hole.

Oh, and that remix of “Strangelove” is from a promo 12”.

Kaiser Chiefs
Sooner Or Later
Never Miss A Beat (Run Hide Survive Remix)
Never Miss A Beat (Cut Copy Remix)
Can’t Say What I Mean (Live at Elland Road)
Never Miss A Beat (Live at Elland Road)
You Want History (Live at Elland Road)
Half The Truth (Live at Elland Road)
Kaiser Chiefs’ new album “Off With Their Heads” is pretty awesome, but there are way too many versions of it. Try to follow me, and pay attention because there will be a test afterwards. The Best Buy version has two exclusive tracks, “Sooner or Later” and “Never Miss A Beat (Run Hide Survive Remix).” Good deal right? Well, sure, but if you like Cut Copy (and if you don’t you’re a fucking idiot) you have to buy the iTunes version to get their remix. Of course, you have to buy the full album, you can’t just get that one track – because that would be, y’know, fucking fair.

But wait, there’s more! In England there’s a deluxe version of the album that includes an 4-track live EP (but none of the other bonus tracks). So, if you really like the Kaiser Chiefs and want everything you have to buy the album three times. Don’t do that, buy it once and then download the tracks you need from above to fill the gaps. This has been The Lost Turntable with an anti-Capitalist Public Service Announcement.

And I found the iTunes exclusive version at Disco Dust. Nice blog. Neat logo.

I’m sitting in front of my computer (duh) and to the left of me are two boxes filled with vinyl I have yet to record. It’s imposing and taunts me. I try to listen to some Depeche Mode or something off my hard drive but then the 12” single to Sir Mix-A-Lot’s “My Posse On Broadway” jumps up and says “when you gonna record me bitch!?” It’s frightening. I will not rest until I get all this shit recorded (okay that’s a lie, but I am going to, like, try really hard to get it all done).

The Art Of Noise
Legacy (12” Version)
Legs (Live)
Paranoimia (Live)
To Hammersmith To Tokyo and Back (Live)
Your Dream or Mine (Way Out West Mix)
Metaphor on the Floor (Plan 138): Mix
Metaforce (The Beat of a Metaphor Mix)
Metaforce (The X-Ray of a Metaphor Mix)
Metaforce (The Size of a Metaphore Mix)
Metaforce (The Sighs of a Metaphore Mix)
Side-effect of the massive backlog of yet-to-be recorded vinyl; I have a ton of certain artists/genres all together, which allows me to do themed posts for a bit. This is obviously The Art Of Noise post. Coming soon: the white label remix post; the soundtrack post; and my personal favorite – the “what the fuck is this stupid shit” post. But I’m getting ahead of myself. The first four tracks are from the album Re-Works of The Art of Noise, which is now out of print. It was combination live/remix record, and also featured some remixes of “Peter Gunn” and other songs that I’ve previously featured here. The live versions are weird, mostly because they don’t sound live at all. The other six tracks are from an incredibly strange two-LP album I got called The Seduction of The Art of Noise. It came out in 1999 and in addition to the six tracks I’m featuring it also included the original versions of “Beat Box (Diversion One)” and “Moments In Love” for some odd reason. It should be noted that the cleverly-titled “sighs” and “size” mixes are by Roni Size. It should also be noted that all of these songs are really awesome.

Someone sent me this article. I can totally tell sometimes that people are just trying to direct me towards things that will make me angry and in turn create a (hopefully) very entertaining angry rant for you all to read.

Sorry, I’m agreeing with the Kaiser Chiefs dude on this one. People who put up entire albums that haven’t come out yet suck. I’m willing to go even further and say that people who put up entire albums after they’ve come out suck. Right now I’m sure some of you are thinking, “Mr. Lost Turntable, you’re a hypocrite! You put up full albums all the time! And while I’m attacking you, I’d also like to point out that you need to proofread your posts more!”

That comment about my copy editing skills totally hurts, but I’m willing to overlook it to address your first issue. By in large, the songs I put up on my blog are not easily available. Some may be, but when they are I never put up the whole album, I only do that if I’m damn sure the thing is out of print in either America or most of Europe. If I ever put up a complete album that was commercially available (legally, not bootlegged), then it was by accident.

If a blog is putting up the entire Kaiser Chiefs album (or any new album for that matter) they’re assholes and giving bloggers like me a bad name. If you like an artist, buy their music. Use BitTorrent for what it was meant for, rare music and mountains of pornography.

Big Country
East Of Eden (Extended Version)
Prairie Rose
Hold The Heart (Instrumental)
Honky Tonk Woman (Live)
One Great Thing (Boston Mix)
Where The Rose Is Sown (Extended Version)
Bass Dance
Belief In The Small Man
The Teacher (Mystery Mix)
Restless Natives The Soundtrack Part 1 (REPOST)
Restless Natives The Soundtrack Part 2
I wanted to post these a month ago, but then my fucking computer died before I could record them. Since I love Big Country, I didn’t want to risk doing a substandard recording using my laptop and I waited until I finally got all my shit together (well, most of it anyway) to record them properly. Astute eyes will notice that I’ve included the both parts of the Restless Natives soundtrack. I posted the first part a while ago, and it only seems fair to make them both available now that I’ve finally put the second part online. Don’t go assuming that I’m going to start reposting other shit though. Anyways, these tracks come from a variety of singles and I’m not going to go through the list and say which ones, you’ll see when you play the songs for yourself. Some of these are available on import versions of Big Country albums, box sets, rarities collections and what not, others aren’t.

I got my soundcard working, I can record my vinyl, I’m done with school, I have a job…fuck. I have nothing to complain about. Well, that’s not entirely true, I have plenty to complain about, just nothing that I’m going to throw up on them here interwebs for the entire world to see. Don’t worry everyone I’m sure I will be very pissed off about something/someone soon. Just right now my backlog of vinyl outnumbers the number of crazy bullshit rants I can produce. Don’t worry. I’m sure my contentment won’t last very long.

Massive Attack
Three (Dom T’s House of Fortune mix)
Protection (J Swift Mix)
More from that 2LP “Protection” 12” that I picked up in Toledo. This is the last of it that I’m posting, as the other tracks on it are either album cuts or on that dub remix album No Protection.

Depeche Mode
But Not Tonight (Extended Mix)
Breathing In Fumes
Stripped (Highland Mix)
Black Day
Two Depeche Mode posts in a row…I’m falling back into old habits. I still have shitload of rare DM that I haven’t gotten around to posting yet. It’s mostly because the quality of the recordings aren’t that great. Some were accidentally recorded in mono, and others were recorded back when I had my turntable that spun to fast. In a few months I’m finally breaking down and buying a high-end direct-drive turntable and that’s when I’ll finally re-record all my shit that’s fucked up. So someday you’ll see a massive Depeche Mode post that puts all previous massive Depeche Mode posts to shame. Until then, enjoy these remixes and B-sides. “Breathing In Fumes” is actually a remix of “Stripped” and “Black Day” is a different version of “Black Celebration” all of these are from the 12” single to “But Not Tonight,” but they were all also on the single to “Stripped.”

Space Monkeys
Acid House Killed Rock (Dub Pistol’s killed Acid House Mix)
Acid House Killed Rock (Chopper Squad Killed Rock ‘n’ Roll Mix)
Punk as Fuck (Dub Pistols Mix)
I knew nothing about these guys and honestly just bought this 12” single because I wanted to own something by a band that called themselves Space Monkeys. They are of no relation to the 1980s band Space Monkey, the remix artists that did the dud Gorillaz album Laika Come Home or even the Placebo song of the same name. According to Wikipedia they were almost-but-not-really kind of popular for five minutes and they opened for Third Eye Blind. That’s fucked up. This shit is kind of cool, and reminds me of Oasis with a drum machine. Is this “Madchester” or is it a decade too late?