Eight YouTube Concert Videos where you can See the Back of my Head – music by David Bowie and The Orb

August 24th, 2011

Presented in chronological order.

 

Lollapalooza 2008 – Octopus Project

Far right side with the towel on my head. I was rocking out with a fever at the time and didn’t know it, this was the year Lollapalooza almost killed me.

 

Lollapalooza 2010 – Foxy Shazam

About one second in, with the stupid looking red bandanna on (hey, it beats a sunburned scalp). Blink and you’ll miss me.

 

Lollapalooza 2010 – Band of Skulls

On the right side for pretty much the entirety of the video.

 

Ultra 2011 – Hybrid

Okay, this one is easy. I’m so prominent here that the video should be titled “Footage of the back of a guy’s head with some Hybrid in the background.”

 

Outside Lands 2011 – The Joy Formidable

In this one I’m a little harder to pick out, but you can see me. Right side, taking a lot of pictures.

 

Outside Lands 2011 – Clap Your Hands, Say Yeah

Center-right, quietly enjoying myself while saving energy for Big Audio Dynamite.

 

Outside Lands 2011 – Big Audio Dynamite

We’ve already covered this one. I’m front and center, rocking out like a mofo.

 

Outside Lands 2011 – tUnE-yArDs

Once again, right in the front and almost ruining this poor person’s video. Sorry! I can’t help being a giant!

Ah memories. Anyways, it’s time for a reeeeeeeeeeemiiiiiiiiiiiiiiiiiiiix!

Sorry.

David Bowie
Dead Man Walking (House Mix)
Dead Man Walking (This One’s Not Dead Yet Mix)
When I was in high school I used to hang out at a grease pit called Rudy’s Hot Dogs. They had a jukebox where you could play five songs for a buck. My friend Bryan would always walk in with two bucks. He would put the first buck in right when we sat down and play “Dead Man Walking” five times. By the time the fifth play was winding down we would be ready to head out. Then, as we were leaving he would put the second buck in, and do a fiver of Hanson’s “Mmmbop.”

My friend Bryan is kind of a dick.

These mixes are from a CD single. Unlike most of the “Dead Man Walking” remixes from the time, they weren’t on the recent 2CD re-issue of Earthling. Both are pretty good. The “House Mix” is a little too house for me (I know, what did I expect?) but I’m really digging the second one, it’s much more low-key.

The Orb
Toxygene [Fila Brazillia Mix]
Toxygene [Toxic Genes Mix]
Toxygene (Kris Needs Up for a Fortnight Mix)
Delta MKII (Dal Vivo a Roma)
Rose Tinted
When engaging in record buying sprees, I know I have to take a time out when I start buying multiple versions of the same single just for different remixes/B-sides, which was the case with the single(s) for The Orb’s “Toxygene.” I bought both the 12″ vinyl single as well as the CD-single import. What’s worse, I bought them both at the same store, at the same time. Sometimes I think I have OCRD (Obsessive Compulsive Remix Disorder). I treat remixes like Pokemon, I gotta get ’em all. In case you were wondering, “Rose Tinted,” and the first two remixes are from the CD-single, while the “Kris Needs Up for a Fortnight Mix” and the mix of “Delta MKII” are from the 12″.

“Toxygene” is a groovy tune. The original version (not included here since you can get it easily online) is a classic example of The Orb’s blissfully mellow ambient house style. while the “Fila Brazillia Mix” and the “Toxic Genes Mix” were obviously made for club play and are less ambient and more house. They both get pretty intense and fast-paced in parts, but both pale in comparison to the The “Kris Needs Up for a Fortnight” mix, which is 10 minutes of old-school acid house. Crank that shit and piss off your roommate, that’s what I’m doing right now. The remix of “Delta MKII” is crazy, with some odd industrial-type sounds thrown in, and some creepy random vocal samples will disturb the hell out of you.

On the other end of the spectrum is “Rose Tinted,” a great ambient B-side that should go on your “it’s just starting to kick in” playlist. Trippy shit.

San Francisco Records Store Reviews – Soundtrack by Erasure (Again)

August 23rd, 2011

While I was in San Francisco for Outside Lands, I also made a special effort to hit as many of the city’s fine record stores as I possibly could. I have heard epic things about the San Francisco record store scene, and I certainly wasn’t dissapointed. It’s no Portland (which has over 10 independent stores) but it was still mighty impressive. So impressive, in fact, that I ended up having to buy an extra suitcase to pack all the damn records I bought.

Here’s a quick rundown of the stores I made it to during my time in that great city.

Amoeba Music
If you ask someone who has been to Amoeba to describe the store in one word, that word would probably be “massive.” You could also accept “huge,” “monstrous,” “cavernous,” and “really fucking big” (although technically that last one isn’t one word).

Seriously. It’s huge. It’s so huge that it’s hard to even put into words, but I’ll try. Imagine a Best Buy, now take out all the dicks in blue shirts, all the shitty computers, overpriced TVs and crappy video games and replace them with CDs and LPs. Then imagine a medium-sized grocery store filled with nothing but DVDs, Blu-rays, VHS tapes and freakin’ laserdiscs and slap that on to your mystical Best Buy. That’s how big Amoeba is. Okay, maybe it’s a little bigger, but you get the idea.

The store is so big that when I first walked in I didn’t even know where to being. I just kind of circled the outer peripheries of the aisles for a few minutes, plotting my plan of attack. I decided to start with the CDs since they’re easier to carry than LPs.

I have never seen a more well-organized/stocked/maintained CD selection in my entire life. The sections make sense: rock/pop, electronic, hip-hop, jazz, country, and the artists are all where they belong (no finding Depeche Mode in electronic or Johnny Cash in rock or shit like that). Each artist of note (and several hundred not-of-note) are given a placard, and in many cases each of their individual albums are given placards as well. For example, if you go to Bowie, David you’ll find an individual placard for Station To Station that has all the various versions of that album that the store has in stock. Such a great system. Box sets and deluxe editions that are slightly too big for the racks are on a shelf above, while the massive box sets get their own section near the end of each genre. It all make sense. It’s how record stores used to be, just on a supermassive scale.

The LPs are slightly less organized, but still well-maintained and relatively easy to search through. The rock section is the cleanest, with nearly every artist you could think of getting their own placard, while the electronic section is much more of a hodgepodge in a kinda-sorta alphabetical order. Everything is packed nice and loose though, so it’s easy to skim through each row. They also separate the new used arrivals from the genreal stock, so if you’re a frequent visitor you don’t have to dig through the general inventory every time you visit.

But all this wouldn’t have mattered if the prices are bullshit. Thankfully, prices at Amoeba seemed relatively fair. I never thought that I was paying too much for a used record, and in some cases I felt like I was getting a steal. They always seem to have a good selection of stuff on clearance (especially in the electronic section) and the only really expensive albums are the ones they put up on the wall, which can range anywhere from $10 to $2,000 (and in case your wondering, the $2,000 record was a butcher baby).

If there’s only one downfall of Amoeba, it’s that it’s too big. It’s staffed rather well, but they’re always busy making sure no one is trying to rip them off, so it’s hard to really talk to anyone. It feels more like a supermarket than a record store, and is lacking that laid-back independent record store vibe.

The being said, it’s definitely the coolest fucking supermarket in the world and it goes without saying that I’m in love with the place. I went there twice during my time in San Francisco and I bought so many records the first time I was there that they had to give me a box, not a bag, to carry them all out in. If you’re a record collector this place is fucking Mecca. A must visit no matter what.

Recycled Records
That isn’t to say that there aren’t other great record stores in San Francisco! Just down the street from Amoeba is Recycled Records. This store may not be as massive and awe-inspiring as Amoeba, but it has its own charm and personality, both of which really made it stand out to me.

The records are easy-to-access, just like Amoeba, and while the store is small, they have a very diverse selection of rock, hip-hop and electronic music. In terms of their selection, what really stood out to me was their soundtracks section. They have a wide variety of odd and weird movie soundtracks, I picked up a copy of the Starman soundtrack while I was there, and at a pretty reasonable price too.

What really makes Recycled Records a store to visit, however, is the staff. From what I could tell, two dudes man this place, and they are both some laid-back bros, even by San Francisco standards. I walked into their store hauling a big box of records from one of their competitors, but not only were they cool about it, they wanted me to show them what I picked up there. They even let me leave the box there while I walked around the neighborhood! If you’re looking for a solid little store with a ton of personality, this is a great place.

Groove Merchant Records
A few blocks down the hill from Recycled Records is Groove Merchant. They mostly deal in soul and hip-hop, so it really wasn’t for me. If you like that stuff, however, then you might want to check this place out. Their records were a little on the pricey side though.

Rasputin Music
Next to Amoeba, I spent the most time at this store in Union Square. It’s huge, but its hugeness is hidden by the fact that it’s spread out over five stories. The first floor has all the new releases, and you take the stairs to the second, which is where most of their DVD inventory is. From there, you take an elevator (which is always manned by an employee) to the rest of the store. The third floor houses the vinyl; on the fourth you’ll find rock, hip-hop and pop CDs; and on the fifth is everything else, including electronic music, jazz and experimental.

It’s a little daunting at first, but the layout make sense once you get the hang of it. All of their inventory is meticulouslyorganized, and everything is super-easy to look through. Their prices are excellent as well. I picked up some imports and hard-to-find 12″ Bjork singles at nearly half of what I would have expected to pay for them anywhere else. The staff isn’t especially friendly, but they are helpful and polite if you need them. A nice surprise, I’ll be coming back here for sure on my next trip.

Grooves
It’s all been sunshine and lollipops so far, but not all record stores in San Francisco were winners.

I really wanted to like Grooves. It seems like a cool little store. They had a ton of records, the dude behind the counter seemed alright and the customers were fun to talk to. However, the place is a freaking mess.

Records, records everywhere and not a way to look through them. The stacks are packed tight, so you have to pull records out before you can even shuffle through them to see whats there, and unless it’s a major artist, you’re going to have to shift through the miscellaneous sections (which weren’t in alphabetical order) to see if they have what you are looking for. Also, be prepared to crawl on the damn floor. As a tall dude, I really hate that.

Sometimes you can have too much of a good thing. Grooves needs to clear out its inventory so people can actually see what’s there. If they did that, the store would be amazing. As it is now, it’s still worth visiting, but only if you have a lot of patience and a strong back.

Streetlight Records
I didn’t get to spend a lot of time at Streetlight, located close to the Castro district, since they were closing up when I got there. From what I was able to shift through though, I could tell it was a pretty good store with a decent selection of tunes on both CD and vinyl. It was their CD singles selection that really impressed me though, I scored a ton of Madonna, Pet Shop Boys and Erasure CD singles there (which was how I knew I was close to Castro). A nice place, I just wish I had more to say about it, I’ll definitely have to check it out again the next time I go.

Black Pancake Records
This store is pretty new, and is run by guys who used to run a store called Tweekin Records. It’s very cramped (I nearly hit my head a few times) but they still let the records breathe, and they’re organized very well. It’s also run by a real cool dude. Not only did he let me use their bathroom, he recommended some solid LPs to me, and didn’t give me a “what the fuck” look when I snagged a 12″ single to the Streets of Fire theme song. That, combined with some great listening stations and an overall chill vibe, made me feel like I could hang out at this place all day.

Green Apple Books
Let me just say that the Green Apple Books is an AMAZING used book store, the kind of book store you just don’t see anymore, with piles of books stacked up as far as the eye can see. If you like books like I like records, then you’ll be in heaven though.

But if you like records, this might not be your place.

Green Apple has a sizable record and CD selection, but it’s a mess. Most of the CDs are kept in rickity shelves that you have to pull out slowly to look through, and most of them are at that uncomfortable knee-high level that makes them a (literal) pain to shift through.

The situation with their LPs is almost as bad. Nearly half of their record selection is on the ground, and for tall guys like me that’s no fun at all. Making matters even worse, the stacks are packed in too tight and too deep. Even with my massive wingspan, I was stretching to grab the records at the back of the shelf. How they expect anyone to find or buy records with a system like this is beyond me. It’s the one store I went to where I didn’t buy a single thing.

Aquarius Records
Are you looking for the newest (or oldest) albums by anyone who has ever even tried to possibly even maybe flirt with mainstream success? You won’t find them here. But if you’re looking for the b-side compilation to your favorite German 70s prog-group, or the latest release by the hottest Norwegian death metal album then you’ll be in luck here. Super-niche for sure, but still a lot of fun. And while their selection may be uber-hipster, the staff is still very friendly and polite.

If I missed any awesome San Fran stores let me know! I plan on returning there someday soon. I really fell in love with that city, and not just from the contact buzz.

Erasure
Hallowed Ground (Vince Clarke’s Big-Mix)
Chains Of Love (Almighty 12″ Definitive Mix)
Phantom Bride (Ghostly Groom Dub By FrankMusik)
A Little Respect (Wayne G & Andy Allder Hurdy Gurdy Club Mix)
Heart Of Stone (Joebot’s ‘Ounce Of Bounce’ Remix)
Phantom Bride (Dogmatix’s ’12” Tearless’ Mix)
Chains Of Love (Plastic Operator Remix)
These great remixes are from the Phantom Bride CD EP, which came out in 2009 but is already out of print in America for some reason. I bought it used at Streetlight, along with the Erasure singles that I featured last week. Every remix here is a home-run, download them all and have a fabulous night.

 

Outside Lands vs. Lollapalooza in a fight to the death! Soundtrack by Erasure.

August 18th, 2011

I’m still decompressing from the past few weeks. I’ve had two weddings (one of which I had to be in) and a cross country trip to San Francisco that included some non-stop record shopping and a three day outdoor festival! All on damaged ribs!

Damn, I’m fucking metal.

As I’ve mentioned here before, I usually go to Lollapalooza this time of year, but that was impossible, so I made the trip to Outside Lands instead. This was not a decision I made lightly. For all of its problems (and there are many) I love going to Lollapalooza. I think that it is one of the most well-organized, affordable and fan-friendly festivals today. My only other modern festival experience has been Ultra, and that was a clusterfuck of greed, drugs and douchbaggery the likes of which I have never seen. It made me miss Lollapalooza even more.

Outside Lands was at least a positive experience, but was it really better than Lollapalooza? Let’s compare.

The Line-Up
Both Lollapalooza and Outside Lands featured many of the same bands: Big Audio Dynamite, Muse, Deadmau5, Arctic Monkeys, Beirut, Ok Go and The Vaccines to name a few. But while Lollapalooza also had Coldplay, Foo Fighters, Cold War Kids, A Perfect Circle, The Cars, Deftones and Crystal Castles, Outside Lands’ exclusive acts included bands like Phish, The Decemberists, Josh Ritter and Best Coast. Definitely much more of a chill/jam vibe that is very much NOT my thing. This led to some pretty big breaks in my schedule where I was at best not doing much and at worst actively avoiding all the stages.
Advantage: Lollapalooza

Stage Layout
Lollapalooza has seven stages (plus a kids’ stage) that are all pretty easy to see no matter what. Outside Lands is a smaller festival, with only four stages. One of them is so small it’s barely worth mentioning, and the main stage is just a clusterfuck of problems. The sound tent for it is massive, blocking the view of the stage for nearly everyone who isn’t in front of it. Furthermore, the dance dome is too close to the stage,  so unless you are close enough to the stage for the music to be loud enough, you’re going to get a constant bass thump mashed up with the music on the main stage. While I do give Outside Lands credit for not putting any of its stages on fucking cement like Lolla does, it’s much easier to actually see a band at Lollapalooza than it is Outside Lands
Advantage: Lollapalooza

Toilets
If you have to piss at Lollapalooza, no problem, there are almost never lines for all of the porta-potties, you just have to know where to look. This is not so at Outside Lands. There were never enough pissers to go around, so the lines got pretty massive. The lines were so intense, in fact, that I saw dudes and women just pissing in the woods. Classy! Making matters worse was that that porta-potty company would routinely plow their truck through the porta-potty area to empty over-used facilities. Their devotion to cleanliness should be applauded, but the cloud of dust and overall disruption the would cause every time they did this did no one any favors. This one is no contest
Advantage: Lollapalooza

Food
Outside Lands has better, more diverse food, no contest. The problem is getting to it. Just like the porta-potties, the lines to the food vendors are fucking nuts at Outside Lands. I never have to wait more than five minutes for pizza at Lollaplooza,but  a typical wait for anything aside from tofu tacos was nearly double that at Outside Lands. Still, the food is really good when you can get your hands on it, so this one is even.
Advantage: Push

Water
Price of refilling a bottle of water at Outside Lands 2011: $1
Price of refilling a bottle of water at Lollapalooza: Free
Also, finding a fucking refilling station at Outside Lands was practically impossible. Finding a beer tent, on the other hand, was incredibly easy. Funny that.
Advantage: Lollapalooza

Weather
It’s fucking HOT in Chicago in the summer. Seriously, like triple digit hot. And when it’s not fucking hot it’s fucking storming. It sucks. San Francisco on the other hand, cool and breezy, with highs in the low 70s all weekend. Can’t beat that shit.
Advantage: Outside Lands

Golden Gate Park
Holy shit this place is beautiful. Grant Park in Chicago is basically a series of baseball diamonds. GGP is actually a park, complete with scenic trails that remain open during the concert. Sure, I had a lot of downtime at the festival, but at least I could walk down to a secluded forest path and just chill. At Lollapalooza there is no such thing as a quiet spot.
Advantage: Outside Lands

Vibe
People at Lollapalooza are dicks. They push, shove and fight their way to the front of the stage, then proceed to talk and text while the music is playing. The crowd at Outside Lands was decidedly more chill and friendly. I rarely had problems with people talking over the music, and I only had one encounter with a dick shoving his way to the front of the stage. Sure, when you got further back there was more talking and more shoving, but you’re going to have that at any fest. Maybe it was that mellow California attitude I always hear about, or maybe it was all the weed…actually I’m willing to bet it was all the weed, but whatever the reason, the kindness of the crowd really made this fest one to remember for me.
Advantage: Outside Lands

The final count may be four for Lolla and three for Outside Lands, but I’m still going to call it a push, because a friendly vibe and weather that doesn’t make my balls sweat off are two factors that really go a long way.

At the end of the day, Outside Lands is a quality festival with a few problems. I saw less bands than I would have seen at Lolla, that’s for sure, but I had a lot more fun seeing those bands than I would have if I saw them at Lolla. It’s hard to say which is better. So if you’re looking for a quality festival, I’d have to say that you really can’t go wrong with either Outside Lands or Lollapalooza. Both do a pretty good job at what they’re trying to do. And while the organizers of Lollapalooza really can’t do much to solve the problems of Grant Park and Chicago heat, the problems that Outside Lands face are actually fixable, giving me hope that the festival will only get better next year.

Just don’t go the Ultra, seriously, fuck those guys. The crowd there booed Erasure. Fucking dicks.

Erasure
Always (Cappella Club Remix)
Always [Microbots Trance Dance Mix]
Always (Microbots Inside Your Brain Mix)
Always (Hey Mix)
Breathe (LMC Extended Club Mix)
Breathe (When Andy Bell Met Manhattan Clique Extended Remix)
Breathe [Acoustic]
Freedom (Motiv 8 Radio Mix)
Freedom (JC’s Freedom Of Flight Remix)
Freedom (Mark’s Guitar Vocal)
Freedom (Mark’s Jail Term Dub)
Now, I know this may come as a shock, but it turns out that San Francisco is a great place to find Erasure singles! It’s also a great place to find Madonna and Pet Shop Boys stuff, so look for them in the coming weeks as well.

As much as I love electronic music, I’d have to say that the best track of this bunch is the acoustic version of “Breathe.” Sometimes a song needs to be stripped of its production for the lyrics to really sink in, and the heartache and pain of “Breathe” really get to you when the song is taken down to nothing more than Andy Bell’s amazing voice and the soft strums of an acoustic guitar. It’s really beautiful.

That being said, the house-as-fuck seven-minute Cappella Club Remix of “Always” is pretty sweet too. All of these are from CD singles, save for the last track, which is from a 12″.

Biggest Audio Dynamite II

August 17th, 2011

My photos from Outside Lands 2011 are up on Flickr! Enjoy!

Next post I’ll share my thoughts on the festival itself, but I’m still in pain from something stupid I did at the concert, so I don’t feel like sitting in front a computer any more than I have to. Instead, have a metric buttload of BAD II/Big Audio.

Big Audio Dynamite II/Big Audio
The Globe (Single Edit)
The Globe (Single Remix Edit)
The Globe (12″ Mix)
The Globe (Dub Version)
The Globe (By The Orb)
The Globe (Instrumental)
Rush (12″ Mix)
Rush Dance
City Lights
Rush (Live)
Rush (Live) (Different Version)
Medicine Show (Live)
Mirror Man
Looking For A Song (The Zonka/Shapps Remix)
Looking For A Song (Zonka Shapps Early Mix)
Looking For A Song (Extended Album Mix)
Looking For A Song (Zonka’s Adventures In Space)
Okay, that’s it! That’s all the Big Audio (Dynamite) [II] that I have! I feel as if I’ve said all I can about BAD for now, except that “Looking For a Song” is one of the most underrated tracks from an underrated album that you’ll ever hear. Download it and love it.

 

Biggest Audio Dynamite

August 16th, 2011

Big Audio Dynamite is not my favorite band, but they are my favorite band that I never thought I would get a chance to see live.

When BAD first broke onto the scene I was about five years old, so I didn’t catch them the first time around.  In fact,  I didn’t discover BAD until I got into buying records and 12″ singles a few years ago. I know it’s an odd ass-backwards way of doing things, but at three bucks, a used 12″ is a great low-risk entry point for discovering artists you may not know a lot about.

I bought a few singles from the group over the course of a couple of months, but the one that really caught my attention was the 12″ single to “C’mon Every Beatbox.” Something about the track resonated with me, and I became obsessed with it and all the remixes of it that I could get my hands on. From there I bought every other BAD 12” single I could find, as well as the CD singles and the albums proper. What amazed me most about the group was how ahead of the time they sounded! You could plop any track off their first three or four albums into a Gorillaz record and no one would be the wiser. Their sound is indefinable and timeless, something you can say about very few bands from the 80s.

It bummed me out that a band I had fallen in love with had broken up, with little hope of a reunion. So when that unlikely reunion was announced, I nearly shit. When I found out they were playing America, I almost had to change my shorts.

I knew I had to see them no matter what the cost (and trust me, the cost was pretty substantial, and I’m not talking about money…it’s a long story). But all the trials and tribulations I went through in order to see them paid off, when they blew my fucking mind with an amazing performance.

They played everything I wanted to hear (save for V. Thirteen, but I’ll survive) with gusto, energy and enthusiasm. Even the people in the crowd who weren’t there for BAD (The Shins were playing next) seemed to enjoy the set. Mick Jones and the crew may all be old dudes, but they all obviously still care about getting their fans off with a polished and well-rehearsed performance. Not only that, they seemed to be having fun too, which makes it all the better for the fans watching.  I may be a little biased, but their performance was without a doubt the best performance of the entire festival, and one of the best festival performances I have ever seen.

It was totally an experience I am never going to forget (I even caught a drumstick!). I thank BAD tremendously for playing in America and apparently still caring about their fans and their own music even after all these years. Come back to America guys, I’ll travel across the country for you anytime.

In the meantime, here’s a fuckload of out-of-print BAD remixes and b-sides.

Big Audio Dynamite
C’Mon Every Beatbox (Extended Version)
Beatbox’s At Dawn
Hollywood Boulevard (Club Mix)
Hollywood Boulevard (Dub Mix)
Sightsee M.C. (Radio Cut)
Sightsee M.C. (Remix)
Sightsee – West London
Another One Rides The Bus
V Thirteen (Extended Remix)
Just Play Music (Extended Mix)
Just Play Music (Remix)
B.A.D. Overture
Other 99 (Extended Remix)
Contact (12″ Remix)
Contact (7″ Remix)
Contact (Club Mix)
Who-Beats
In Full Effect
James Brown (Remix)
James Brown (Remix Edit)
If I Were John Carpenter
Free (Club Mix)
Free (Film Version)
The Bottom Line (Film & Club Version)
What’s missing from this list? Well, not much. The only tracks I did not include were This Is Big Audio Dynamite-era stuff that you can find on the recent re-issue of that album, which you should totally buy. And I know there aren’t any BAD II or Big Audio tracks here, but just wait, I’ll get to them.

A lot of these are reposts, but I re-recorded all of them except the stuff from the “Contact” single (I couldn’t find it!) with better audio equipment, so I suggest downloading them all even if you have before.

Enjoy! Like I said, more BAD later this week. You can also look forward to some more views from me on Outside Lands 2011, as well as some reviews of San Francisco record stores.

Guess what? I bought a lot of fucking records.

Where I was last week

August 15th, 2011

Front row, center under the drums. The big guy freaking the fuck out. That would be me.

New post coming very soon I promise. Take one guess as to who it will be about…

Sigue Sigue Something

August 4th, 2011

If you pick up on an overwhelming feeling of despair in this post, it’s because I’m writing it in Toledo. It has that effect on things.

This will be my last post for the week. Usually I’m busy during the first week of August because I’m heading to Chicago for Lollapalooza. However, I don’t get to go to Lolla this year because of reasons that I can’t even begin to get in to.

HOWEVER, I will be going to the Outside Lands Festival in San Francisco next weekend. It doesn’t look as great as Lolla (too many jam bands for my taste), but I think I’ll still enjoy it.

I also plan on doing some record shopping while in San Fran (and by “some record shopping” I mean I’m going to buy ALL THE RECORDS). Anyone want to recommend some good SF record stores? I already know about Amoeba.

Since I’ll be spending most of next week in the homeland of Rice-a-roni, only expect one post. Don’t worry. It will be Big and full of great Audio. Seriously, it’s going to by Dynamite.

Sigue Sigue Sputnik
Massive Retaliation (The Super Massive UK Remix)
Massive Retaliation (Shut Up Dub Remix)
I don’t know what to say about this song. Even for a Sigue Sigue Sputnik song, it’s freaking weird. There’s not much to it aside from a sparse beat, a simple bassline, a sample of Beethoven’s Fifth, and completely nonsensical lyrics such as “Hong Kong hit back!”

Hit back who? Who hit them first? I’m so confused!

I’m a fairly big fan of SSS’s 80s albums. Both “Success” and “Sex Bomb Boogie” have earned themselves permanent spots on my workout mix, but I’m still on the fence with these remixes. I hope you all dig them tho.

Curve
Horror Head (Remix)
Falling Free
Mission From God
Today Is Not The Day
If you’re from England then you might have a vague recollection of Curve, as they were moderately popular in the 90s. If you’re from America then you probably thought that I was typing “The Cure” for a second.

If you might recognize this song though. Although maybe you might be more familiar with this remix, as it was in this trailer.

Curve never broke through in the states, which is weird. They had a really good, radio-friendly sound that should have played over great in the Alternative Nation of the early-90s. I really can’t believe that “Horror  Head” never hit it big here. That song is beautiful. I can’t tell you how different this remix is from the original, as I am currently on my laptop, which does not have the original on it. But if I recall, they’re pretty similar. Shit this “remix” might just be the original, but the 12″ I got called it a remix, so I’m sticking with that. The other songs are great too.

 

What exactly would a Mothdoom be?

August 1st, 2011

Sometimes I come up with themed-post ideas that are so easy to write that my fingers can barely keep up with my thoughts. Other times they’re like this one and are like pulling teeth while trapped underwater.

My next post is going to be as random as shit.

Torch Song
Don’t Look Now (U.K. Mix)
Can’t Find My Way Home (U.K. Mix)
Mothdoom Ecstasy
Torch Song was William Orbit’s band that he formed in the mid-80s along with one Laurie Mayer and Grant Gilbert. From what I could find online, Gilbert later left the group and was replaced by Rico Cunning Conning.

The group never had much success in either Europe nor the states though. They released a few albums, even one in the 1990s well after Orbit’s solo career was established, but none of them ever took off like Orbit’s solo stuff eventually did.

At least some of the other members of Torch Song have found a measure of success outside the group. According to Laurie Mayer’s MySpace (hey, MySpace!) page she continues to sing, and has released at least one solo album since Torch Song disbanded in the 1990s. She also works as a photographer. Rico Conning has fared even better, and has contributed remix work for artists like Depeche Mode and Erasure. As for Gilbert Grant…well your guess is as good as mine. I could not find any information on him online.

To me, William Orbit’s material with Torch Song is far superior to his solo work from the same time period. “Don’t Look Now” and “Can’t Find My Way Home” are both great, cute little pop tunes, while “Mothdoom Ecstasy” is an amazing sprawling tune with excellent guitar work and some super-sexy vocals by Mayer. It’s certainly better than anything off of Orbit’s first album or the early Strange Cargo releases, that’s for sure.

William Orbit
Feel Like Jumping (One Jump Beyond)
Blue Street (Extended Edit)
But don’t take my word for it! Compare and contrast! These songs are fine, but I started this post on Saturday, it’s Monday now and I’ve already forgotten what these songs sound like. Meanwhile, “Don’t Look Now” and “Mothdoom Ecstasy” are each stuck in my head at the same time.

Trans – Neil Young’s Magical Vocoder Adventure

July 27th, 2011

Neil Young – Trans
Little Thing Called Love
Computer Age
We R In Control
Transformer Man
Computer Cowboy (AKA Syscrusher)
Hold On To Your Love
Sample And Hold
Sample And Hold (Vinyl Version)
Mr. Soul
Like An Inca
Like An Inca (Vinyl Version)

I love this album.

That is not something often said when people are talking about Trans, Neil Young’s much-maligned 1982 electronic/New Wave effort. It bombed when it came out, most critics hated it, and it was the first of several records that eventually led to his label at the time, Geffen Records, suing Young for not sounding enough like Neil Young.

But I love it.

I find the damn thing fascinating, and I think it may be one of the bravest records ever made. At the time everyone wanted Neil Young to record another Harvest (shit, most Young fans still do), but he chose to follow his heart and try something different, critics and fans be damned.

It seemed to shock everyone  at the time, but looking back it shouldn’t have been that big a surprise. Young had toyed with some New Wave elements on his previous release Re-ac-tor, and he even made a comedic film, Human Highway, with New Wave pioneers Devo around the same time that Trans came out. It’s obvious that Young felt some sort of kinship to the New Wave movement for whatever reason, and wanted to contribute in his own little way. I respect any artist that is willing to adapt and move along with the times, artists who stick to the same schtick for decades on end just become boring as hell after a while.

There are also stories that the album was Young’s way of trying to communicate with his disabled son at the time. Supposedly his child liked the vocoder effects, so Young decided to base a whole album around the device. If that’s true then the story of Trans becomes even more touching and interesting; as it shows that Young was willing to pretty much commit career suicide if it meant he could get through to his son.

A lot of people attacked Young when Trans came out, angrily asking him to just record another “rock record.” He responded in 1983 by releasing Everybody’s Rockin’, a 25-minute collection of rockabilly tunes. If “fuck you” is a genre of music, that record is an example of it. Shockingly, that record is available on CD in America, while Trans is not. As of right now, Trans is only available in America on CD as an import. And that CD in question is a little different than the original vinyl version that came out in the states Both “Sample And Hold” and “Like An Inca” have been extended and remixed.

The CD version of “Like An Inca” is very similar to the vinyl version, clocking in at just about a minute longer. However, the CD version of “Sample And Hold,” the best track on the album in my opinion, is drastically different. It’s almost over eight minutes long, a full three minutes longer than the vinyl mix, and the pounding drum machine beat is brought to the forefront of the mix, giving the song much more of a dance feel. I think it is a much better version. Download both and judge for yourself.

Finally, even if the idea of electronic Neil Young sounds horrible to you, download “Like An Inca.” It’s the most “traditional” Young song on the album, with no noticeable electronic effects, synthesizers or vocoders. It’s a nine-minute epic about Mexican Indians, and could stand side-by-side with Young’s  “Cortez the Killer” not only thematically, but in terms of quality as well. It’s an amazing song.

Wilburied Alive

July 25th, 2011

I planned a super-big, in-depth post tonight, but I’m in physical pain (read on for details) so instead here are some random scraps of awesomeness. Hopefully I’ll be less disabled in a few days.

The Traveling Wilburys
Handle With Care (Extended Version)
End Of The Line (Extended Version)
Not Alone Any More (Remix)
It’s weird to me that the Traveling Wilburys aren’t more fondly remembered, or remembered much at all for that matter. I mean, this was a band with George Harrison, Bob Dylan, Tom Petty and Roy Orbison (…and Jeff Lynne) but they’re rarely mentioned when people talk about the best music of the 80s. Never mind that their first album is one of the finest examples of pop-rock to come out of the decade.

Well, maybe it’s because their music was out of print for so long. It’s hard for people to discover a band when no one can get a hold of the damn music. In 2007 both of their fantastic albums were finally re-released in a super-convenient  2CD set, and I highly recommend picking it up if you have not. There  even re-issued them in a vinyl box set which I finally picked up this weekend while I was trapped in Toledo. It’s funny, I recall that store trying to sell a used copy of the Wilburys’ first release for over $100 when it was out of print, but I scored the LP box set for a measly $45.

The LP box set sounds great, comes with a bunch of cool books, posters and other nifty stuff, and also includes an exclusive 12″ with bonus tracks and B-sides. Most of these tracks are also on the CD set, but the remixes I’m posting tonight are exclusive to the vinyl-only set.

Sadly, there was no extended dance mix of “Tweeter and the Monkey Man” as that only exists in my dreams.

The Stone Roses
Fools Gold (Rabbit In The Moon’s Message To The Majors)
Fools Gold (Rabbit In The Moon’s Straight Beat Pyrite Dub)
Fools Gold (Grooverider’s Mix)
Today I was working out, doing leg lifts, when I heard something crack in my side. That’s never a good thing. Turns out I sprained a ligament in my ribcage. This happened to me once before, during an aquarium-moving mishap, and you know what? It fucking hurts like hell. I went to the doctor today, hoping to at least get some hardcore painkillers out of the ordeal, but he denied me.

And man, these remixes of “Fools Gold” would totally sound awesome if I was on one pain meds right now, but vodka and V8 are just going to have to do I guess.

These are taken from a 12″ single. The “Grooverider’s Mix” is on a Stone Roses remix compilation, but that version isn’t the same as this version, so I’m including it here.