Archive for the ‘B-sides’ Category

Madonnathon Day 1

Tuesday, April 15th, 2014

Madonnathon has begun. Over the next few days I’m going to post all the Madonna tracks that I had a chance to re-record before I took off for Japan, as well as a few surprises along the way, all in alphabetical order to make things easier.

I will not be reposting ALL The Madonna I’ve ever posted. I didn’t get a chance to get through all of the tracks before I left, so those hoping for remixes to “American Life” are out of luck. Also, if you want remixes of “American Life” what the fuck is wrong with you?

Madonna
Ain’t No Big Deal
Angel (Extended Dance Mix)
Beautiful Stranger (Calderoe Radio Mix)
Beautiful Stranger (Calderone Club Mix)
Bedtime Story (Junior’s Sound Factory Mix)
Bedtime Story (Junior’s Sound Factory Dub)
Bedtime Story (Orbital Mix)
Bedtime Story (Junior’s Wet Dream Mix)
Bedtime Story (Junior’s Wet Dream Dub)
Borderline (New Mix)
Causing A Commotion (Silver Screen Mix)
Causing A Commotion (Dub)
Causing A Commotion (Movie House Mix)
Crazy For You (Remix)
A through C certainly starts things off with a high note, featuring a bevy of excellent “Bedtime Stories” remixes as well as simple-but-great extended mixes of classic Madonna tunes “Crazy For You” and “Angel” (my secret favorite early Madonna cut). The mix of “Borderline” might be the best of that bunch, however it is a little scratchy at the beginning. Sorry, I just couldn’t scrub that one clean.

The “Causing A Commotion” remixes are great too, but when I first recorded these back in the day I had to do a lot of editing on the file to fix some hellacious scratches, and in the process I probably heard the song about 1,000,000 times (give or take). As such, I think I’m forever sick of that tune. Can’t get sick of “Beautiful Stranger” though, that song is dope – definitely the best thing that ever came out of Austin Powers. Also, I don’t think ever posted these remixes (which I snagged off a CD single) so yay surprise new music.

Tomorrow is D through….D.

There’s a joke there about me having a lot of D but I’m tired.

Excellent Dance Songs By Bands You’ve Probably Never Heard Of

Friday, January 17th, 2014

In today’s adventures in Japanese television, I’m watching what I think is a Behind The Music type program about some horrible trauma that a celebrity Japanese fitness instructor went through. I think. It’s just cut together scenes of this woman dancing, then answering the phone, and then crying uncontrollably. But yo, her abs look great.

Tokyo life has been treating me very well for those who are wondering. I have decided to re-work my other site, Mostly-Retro, into a more personal blog that will focus on my life in Japan, so if you’re interested in that part of my life/Japan in general, I would suggest you bookmark that site.

If you like really rad dance tunes, then I suggest you keep reading this site right now.

Dinosaur
Kiss Me Again (Edit)
Kiss Me Again
Dinosaur was one of the many aliases of Arthur Russell, a prolific musician who was involved with the new wave/punk/minimalist/classical/disco scenes in NYC during the late 70s and early 80s. And in case you couldn’t tell from that exceptionally-hyphenated description, he was one multi-talented mofo.

While he didn’t release much during his life (Russell sadly died from AIDS-related compilations in the early 90s) he’s amassed quite the cult following in the years following his death, with several posthumous albums seeing release in the early 2000s.

Strangely enough, however, none of them seem to have either versions of this song, one of the first tracks that Russell commercially released. If they do, they’re long out of print, because I can’t find it anywhere outside of the 12″ single I bought a few years back. Damn shame too, because it’s a magnificent disco tune, a funky upbeat groovy jam that incorporates the best of leftfield disco and the late-70s dance sound that would eventually evolve into 80s house music. It even has a few elements of minimalism and new wave with its repetitive and hypnotic rhythms. I really dig it, a lot more than some of the other stuff by him I’ve sought out. You might want to check out the “Edit” version first though, as the 13-minute extended cut is a lot to take in.

The Fever
Ladyfingers (Krushed Glass Remix)
Glamorous Life
Glamorous Life (Fake Fur Remix)
Glamorous Life (Deepwood Remix)
Also ran NYC post-punk revival act who tried to re-invent themselves with an ambitious second album and failed. Not a bad group though, and they have a few decent songs. Of all the tracks of theirs I’ve heard, however, I love their cover of “Glamorous Life” the most because Shelia E. is the bomb. Expect a repost of remixes of the original version in a few days/weeks.

Kinky Go
Gimme The Love (Vocal Version)
Gimme The Love (Radio Version)
Gimme The Love (Instrumental)
You probably have no idea who Kinky Go is, and yo I’m right there with you. I love his falsetto on this track though. This is totally the best Erasure track Erasure never recorded. Italian disco at its finest (I think he’s Italian, even if he’s not I stand by that claim).

Rare Lou Reed and Lou Reed Covers

Monday, October 28th, 2013

Lou Reed passed away this weekend, and I’m not going to say much about it.  I am incredibly bad at eulogizing, especially so when the person in question is someone I have mixed feelings about.

Lou Reed was a genius. Lou Reed was an asshole. Lou Reed was a revolutionary songwriter. Lou Reed was a hack. Lou Reed was a legendary performer. Lou Reed was lazy and hated his audiences. I feel that all those things are true, and I don’t know how to compose my contradictory viewpoints into anything that would do either him or my own thoughts justice.

So I’ll just say that Lou Reed will be missed by a lot of people, including me. Everyone should listen to his work with the Velvet Underground. If you can tolerate shoddy audio quality, then you also must listen to The Quine Tapes, an amazing 3CD collection of VU bootlegs that feature some of the greatest live performances I’ve ever heard. And listen to Transformer. Because damn.

This is all the Lou Reed-related material I have, enjoy.

Lou Reed
My Red Joystick (Remixed Version)
My Red Joystick (Instrumental Version)
The Original Wrapper (Extended Version)
The Original Wrapper (Dub Version)
The Original Wrapper (Remix Single Version)
Video Violence (Remix)
Satellite Of Love ’04 (Dab Hands Retouch)
Satellite Of Love ’04 (Dab Hands Radio Edit)
Satellite Of Love ’04 (Groovefinder Remix)
This is literally all the rare Lou Reed I have (that was recorded under his actual name…keep reading and you’ll see what I mean). These are all taken from various 12″ singles and I’ve posted them all before. However, I re-recorded everything save for the “Satellite of Love” remixes, so even if you downloaded them from me before, be sure to grab them again – these versions sound so much better than my original rips.

If you’ve never had the joy of hearing Lou Reed “rap” then you’ll be in for a treat with some of these tracks.

New Order
Sister Ray (Live)
From the disgustingly-titled-but-vaguely-interesting compilation Like A Girl, I Want You To Keep Coming, which includes rarities by David Byrne, Debbie Harry and Henry Rollins as well. As far as I know, this live VU cover has never been released on any other album.

Billy Idol
Heroin (Nosebleed Mix)
Heroin (Ionizer mix)
Heroin (A Drug Called Horse Mix)
Heroin (Overlords Mix).mp3″>Heroin (Overlords Mix)
Heroin (VR Mix)
Heroin (Needle Park Mix)
Billy Idol covered “Heroin” for his 1993 alubm Cyberpunk, an album that literally everyone on Earth hates except for me and Billy Idol. I re-recorded these tracks too, so if you downloaded them from my site once before and want better copies, download these too.

The Beachnuts - Cycle Annie
The J Brothers- Don’t Turn My World Upside Down
The Liberty Men -Wonderful World of Love
The Hi-Lites -Soul City
I wrote about these tracks before , they’re all from a mid-60s budget compilation album called Out Of Sight. This is how Lou Reed paid the bills before forming VU. He only performs on “Cylce Annie,” but he wrote all of these tunes.

David Bowie & Lou Reed
Queen Bitch
I’m Waiting For The Man
Dirty Boulevard
White Light/White Heat
All taken from Bowie’s 50th birthday bash in 1997. A great show you can find on YouTube I think.

David Bowie
White Light/White Heat (Rehearsal with Stevie Ray Vaughn)
White Light/White Heat (Studio Outtake)
I’m Waiting For The Man (Radio Appearance)
I’m Waiting For The Man (Live) (Another Radio Appearance)
I’m Waiting For The Man (Studio Recording)
I’m Waiting For The Man (Live Bootleg)
I’m Waiting For The Man (Live In Budapest)
These are all taken from various bootlegs, radio rips and other odds and sods I’ve accumulated over the years. In case you’re wondering how the Stevie Ray Vaughn thing happened, Stevie played guitar on Bowie’s Let’s Dance album. He was supposed to joing Bowie on the Serious Moonlight tour, but that didn’t work out. That recording is from the rehearsals for that tour.

I think we can say without question that David Bowie really liked “I’m Waiting For The Man,” I assume he could identify with that song on multiple levels.

Nirvana
Here She Comes Now (Electric Punk Version)
Here She Comes Now (Radio Appearance)
One version of Nirvana’s cover of this VU song has seen official release, the “Smart Studios” version was included on both the With The Lights Out compilation and the Super Deluxe edition of Nevermind. However, Nirvana performed and recorded this song a lot over the years. The “Electric Punk” version is, like the title suggests, more of a punk rock arrangement of the tune, while the radio appearance versions is more in tune with the Smart Studios version – all are great. You can really hear the emotion in Kurt’s voice in all these versions. This cover is how I got into VU in the first place.

KRAUTROCK-POWERED MOTORCYCLES

Thursday, October 17th, 2013

The Tigers won. America won’t default. I’m functioning on very little sleep. This post is silly. I apologize.

Yes
Rhythm Of Love (Dance To The Rhythm Mix)
Rhythm Of Love (Move To The Rhythm Mix)
Rhythm Of Love (The Rhythm Of Dub)
City Of Love (Live Edit)
Fuck yeah, Yes remixes! Is synthpop Yes the best Yes? Probably not. But it is the “best” Yes.

I have a strange fascination with Yes that I still can’t really explain. I don’t know why. I only own a handful of Yes records, and I don’t even think I’ve listened to all of them. I actually know very little about the band, a fact that I’ve been wanting to remedy in recent months. Actually, I’ve toyed with the idea of buying all of Yes’ records and reviewing them all, in chronological order, simply as a writing exercise and as a personal quest to find out for myself what the hell they’re all about. I might still do it someday. Prog rock is hella big in Japan after all. This despite the fact that drugs of any kind are nearly impossible to find there. The wonders never cease.

Anyways, these remixes really aren’t prog rock. As I said before, this is synthpop Yes. Like all synthpop Yes, this song was co-written and produced by Trevor Horn, so sometimes I like to close my eyes and imagine Frankie Goes To Hollywood covering it.

Can you imagine a Frankie Goes To Hollywood/Yes collaboration!?! Oh man, why didn’t that happen? That’s the greatest tragedy of the 1980s.

Tangerine Dream
Streethawk (Radio Remix)
There was a TV show in 1985 called Street Hawk. It was about an ex-cop who fought crime with the help of a super-powered motorcycle. The theme song was by Tangerine Dream.

So…yeah. So…okay…so…I don’t even know where to begin with that entire statement. I need to let that sink in. Y’know what? Let me watch the opening credits to the Street Hawk TV show, maybe that will help me figure out how to put my thoughts to words.

HOLY SHIT HOW COME MORE PEOPLE DIDN’T WATCH THAT SHIT IT’S LIKE KNIGHT RIDER BUT WITH A MOTORCYCLE AND A SOUNDTRACK BY TANGERINE DREAM OH MY GOD.

Ahem.

Yeah, okay. I can’t comment on that. It speaks for itself. I got noting – maybe if I watch that opening again.

AND THE DUDE’S NAME IS JESSE MACH!? WHY? WAS “JOHNNY FAST” TAKEN?!

Wow. Okay, seriously, all of you need to read the Street Hawk wiki, because someone put a lot of effort into making sure everyone knows that Street Hawk is currently available on DVD (ORDERING NOW) and that at one point there were Street Hawk toys and even freakin’ Street Hawk novelizations.  And then check this incredible Street Hawk fansite. Because if you don’t, who will? Aside from the apparently millions of dedicated Street Hawk fans out there.

Wait a second, this site even has Street Hawk fan-fiction.

I have to go. I have reading to do.

Fuck your Breaking Bad nonsense, Street Hawk for life.

 

Tales of Synthpop and Homeless Fat-Shaming from Canada

Sunday, August 18th, 2013

Shit!

I didn’t update this blog at all last week, did I?

It’s not my fault! I was in Canada. Blame Canada! (That South Park reference was entirely unintentional I swear.)

But what the hell was I doing in Canada, you ask?

Well, funny story…I’m not going to tell it. It’s top secret. But I will share with you some songs off of crazy weird CD singles that I bought whilst in the land of the rising moose.

Gary Numan
This Wreckage (Metalmorphosis Mix)
Are ‘Friends’ Electric? (Metalmorphosis Mix)
Toronto isn’t really my kind of city. The traffic is hellacious, and despite their “oh, we’re just a bunch of nice people in denim that love hockey, eh?” reputation, big city Canadians are just as dickish as their American counterparts. Example: while I was walking around the city looking for record stores, a homeless guy asked me for some change. Not having any Canadian money on me, let alone change, I walked on by, at which point he said “hey,why you so fat?”

That, of course, led me into a yelling match with a homeless guy, because I’m classy like that, that ended with me saying something along the lines of “yeah, I got this way by eating food! I can buy food because I have money. And since I have money I’M NOT FUCKING HOMELESS YOU HOSER!”

Sure, that might not have been one of my finer moments, but seriously, fuck that dude.

Oh yeah, these remixes are from a CD-single to “Rip.” I like most of the industrial remixes of early-era Numan, so I dig these.

New Order
Crystal [Digweed & Muir Bedrock Radio Edit]
Behind Closed Doors
Sabotage
Someone Like You (Funk D’Void Remix)
So after my lovely confrontation with the smelly homeless man in a Blue Jays jacket (hah, Blue Jays) I ducked into a bar, lured in by the promise of half price wings. The wings were good. The bloody marys were better. The place was pretty dead, so I got into a conversation with the bartender. The bar was playing some pretty rad funk (lots of George Clinton and Morris Day) and I commented on the quality of the radio station. She said, “yeah, you can tell it’s satellite and not a Canadian station.”

I know that Canadian stations have some “Canadian content” laws, meaning that a certain percentage of the music they play must be Canadian. So I asked, “Oh? Not a lot of good funk from Canada?”

To which she replied, “You ever hear of ‘Canadian funk?’”

Point taken.

These are from some CD singles that I also found in Canada. I may have posted the “Funk D’Void” mix at some point, but this copy sounds better.

Mission Beat Manifesto

Wednesday, July 10th, 2013

I’ve been thinking a lot lately about what I do, what I want to do, and how I should do it.

I recently launched that other website to expand my writing a bit (and make a super tiny bit of money along the way) and that’s been great, although I still think that has a lot of growing pains to go through. I need to update that site a lot more, along with this site. New posts have been scant for a bit now, and I apologize for that, family stuff and some extended travel have really put a crimp in my writing schedule as of late.

Additionally, the shocking death of Ryan Davis really got to me in a way that I did not expect. That man (and all of the Giant Bomb crew) has been a massive influence in what I do for the past few years now, and losing him has been pretty brutal on me.

And, not to fall into the most horrible of all cliches, it kind of made me think. I got to get going on my goals, you never know when your time is going to be up.

Journalism has been on the skids for a while now. Shit, the demand for writing as a whole has been on a pretty steady decline for years now. I’ve been trying not to accept it, but it’s pretty hard to deny. Like a silent film star faced with talkies, I have to look at the future head on and realize that for the most part, people aren’t interested in reading one man’s views about random movies, video games and music anymore.

That’s not to say that I want to quit doing that. People might not be interested in what I have to say about new wave bands and acid house acts, but that doesn’t mean I’m no longer interested in writing about them. If my sites both peak out at a few hundred readers a day, then whatever, I’ll live with that. Writing has always been an outlet for me, and it will continue to be.

But pride, and my unending desire to create something that people actually fucking care about, have made to to decide the time is right to try something new. Maybe it’s time I sit down in front of a camera.

So stay tuned…I guess? I got some ideas.

If my timetable with Mostly-Retro was any indication though, expect something around late 2015.

Meat Beat Manifesto
Dog Star Man
Still Falling
Dog Star
Dv8
Transmission (Stately Pleasure Dub)
Transmission (Burning Fire Mix)
Mad Bomber/The Woods
Semi-serious mission statement about my own personal future follwed by tracks by a band whose name is a disgusting masturbation reference.

The Internet is stupid.

Terri Nunn is Cooler Than You

Tuesday, June 18th, 2013

First and most important order of business: Everyone go listen to this song about Dig Dug by Gary Wright. It will change your life.

Okay, now some other pressing matters: I want this.

Unfortunately, Death Waltz can’t ship it to the US (sidenote: Death Waltz needs better lawyers). Anyone want to help me out? I’ll pay for it of course. Cover shipping too. Be your best friend, buy you cake, you name it.

I got a copy! Thanks everyone for your help.

Now, a strange combination of remixes.

Aerosmith
The Other Side [Matt Dike ''Honky Tonk'' Version]
The Other Side [Club Mix]
Theme from ”Wayne’s World”
For a rock band, Aerosmith sure as hell has a lot of remixes. At one point in my life, I had remixes of “Love In An Elevator,” “Dude (Looks Like a Lady),” and even “Rag Doll.” I wonder what the point of these mixes was? I can’t imagine people in the clubs were ever really clamoring for Aerosmith dance mixes. And if they were, then where the fuck is the dance mix of “Mama Kin”?

Of these two mixes, the “Club Mix” is exactly what you’d expect. However the “Honky Tonk Version” is really…something. It transforms the tune into a country-flavored rock tune. Very, very odd.

And finally, yo “Wayne’s World” theme. Live. Awesome.

Terri Nunn
89 Lines (Club Mix Edit)
89 Lines (Blurring The Lines Remix)
Terri Nunn is the lead singer of Berlin. She is fabulously awesome and amazing, and no one bought her single solo CD because the world is a dark horrible place and we’re not allowed to have nice things.  I found this promo CD-single in a dollar bin at a record show last week and it was like a beacon of light surrounded by used Jimmy Ray and Constantine CDs. Say what you will about Terri Nunn (I fucking dare you) but she deserves better than that.

Audio update, now with Janet Jackson

Wednesday, May 29th, 2013

Okay, so last night I had a near nervous breakdown over audio issues. Because that’s what normal people do right?

Don’t answer that please.

So, here was my problem: My ART USB Phono Plus for, whatever reason, did not agree with my new computer. When I went from line-in to USB (analog-to-digital) all the high end on my recordings got cut off. It didn’t matter what USB port I used, or how I configured my recording setup, no matter what I did it always sounds the same. And my other preamp, the cheapo regular one, gave me crazy R/F interference that practically made it unusable.

I was just about ready to call it quits for the night, but then I had an epiphany: What if I used my ART Preamp like a regular pre-amp? Meaning I would hook it up to my computer via USB for power, but then run audio cables from the line-out on it into the line-in on my computer? Maybe that would bypass the shit filtering that was going on with the USB connection and I would get my high-end sounding better?

Tried it. It worked. I could finally hear the high-end. I was happy. That’s where I left things last night, with my “MY SHIT SOUNDS DOPE” update.

I spoke a bit too soon though. While my shit sounded good, “dope” was a bit of hyperbole (especially DOPE in caps).

Upon further review, I was still getting a good deal of line noise. Nothing crazy, about the same that I had before, but since I was no longer losing the high-end, I think I was able to hear it better. It was driving me crazy. So, then I had another idea: the ART USB Phono Plus can be powered by either USB or AC. What if I powered it by AC? Would removing USB from the equation help?

Bought an AC adapter for it, plugged it in, gave that a go. Nope. Actually it made it worse. At least I thought it did. So then I plugged the USB connection back into the computer while leaving the AC adapter plugged in, and then I tried to do a compare and contrast between recording via the USB and recording via the line-in. However, I noticed something odd; with the ART running off both USB and AC power it generated far less line noise. It was nearly inaudible over my speakers, and very quiet over my headphones. I suspect that  may have properly grounded it? Maybe did something to block off more RFT? I don’t know.

I could still hear it enough for it to moderately bug me though, so I decided to give some software filters a chance. First I tried Audacity. As always, it fell short. The noise removal in that doesn’t do the job for me. It removes it from quiet sections just fine, but if you’re working with anything that has bursts of noise in a quiet section then you can still hear the noise buried int he louder parts, at least I can anyways. No matter how much I fiddled with the settings in Audacity I couldn’t get it to work. The hiss removal in iZotope wasn’t much better either.

Then I remembered that the maker of my favorite click removal software, ClickRepair, also sells a program that removes line noise, aptly called DeNoise. I download that and gave that a shot, sticking mostly with the automatic settings.

Wow!  It works great. Between my reduced line noise coming in and the added help of DeNoise, my recordings are quieter and clearer than ever before. The difference is pretty amazing, Now I think my shit sounds dope. I don’t know though. You be the judge with tonight’s recordings.

Janet Jackson
Miss You Much (Mama Mix)
Miss You Much (Sing It Yourself Mix)
Miss You Much (Oh I Like That Mix)
You Need Me
I was going to test out my new setup with an abstract orchestral composition by Ryuichi Sakamoto, but I thought it might behoove me to use a song that people have actually heard before, so they can compare and contrast. Hence, Miss Jackson (if you’re Nasty).

Beastie Boys
The Beastie Boys Medley
Hey Ladies (Extended Funky Mix)
These are both from “Ultimix” LPs, special DJ only records. Typically, these things tend to suck. They’re usually quick and sloppy re-edits that don’t add anything new or original to the tracks. These mixes are pretty good though, the “Hey Ladies” extended mix ads a lot to the track and is a lot of fun.

 

This Post Is Straight Edge

Thursday, May 2nd, 2013

Quick self-serving news: new post over at Mostly-Retro, a look at the “soundtrack” LP to Atari’s Asteroids. It’s pretty ridiculous. If you like it, please share it with your friends.

Now for a brief public service announcement for everyone who I turned onto Boom Boom Satellites, you should know that they’re doing a live “360 degree” webcast of their Budokan show this Friday! Check out this link to see the countdown timer. Should be pretty awesome.

Finally, if anyone thought last night’s post was excessively stupid. Don’t worry, so do I. Don’t blog drunk kids. If you’re going to write something stupid, write it sober. Own it.

Chumbawamba
Hear No Bullshit (On Fire Mix)
The Day The Nazi Died (1993 Mix)
There’s a lot to say about Chumbawamba, but for a Cliff Notes version of their crazy history check out this great video by critic Todd In The Shadows. He tackles their crazy career pretty well.

As for these songs specifically, “Hear No Bullshit” features lead vocals by the UK rap group Credit To The Nation, and it’s a great radical left-wing hip-hop jam that attacks mainstream sell outs, and the fact that too many rappers can’t seem to get past their sexist bullshit when it comes to lyrical inspiration. This song was written over 20 years ago, and judging from disgusting wastes of humanity like Odd Future, it’s sadly just as relevant now as ever.

Same goes for “The Day The Nazi Died.” It’s an attack on Nazi sympathizer politicians, and if you’ve been paying attention to the current clusterfuck that is Greece as of late, you’ll know that this song has once again become topical as well.

Sigh and ugh.

Eurythmics
Sweet Dreams (Are Made Of These) (’91 Remix)
Sweet Dreams (Are Made Of These (Nightmare Mix)
I Need A Man (Macho Mix)
I Need A Man (Edit)
Beethoven (I Love To Listen To) (Dance Mix)
Beethoven (I Love To Listen To) (7″ Edit)
Most of these are reposts, I put up the “I Need a Man” and “Beethoven” mixes a few years back. But I wasn’t happy with those rips and recently re-recorded them. So if you have those old rips and like those songs at all (and you fucking should) then you ought to download these new rips and replace your old ones.

The “Sweet Dreams’ mixes are new to this site though. I grabbed them off of a very odd DJ bootleg 12″ called “Disco Ballroom.” However, they were both official remixes and were first released on legitimate 12″ and CD singles. If you’re listening to the ’91 remix and thinking “oh wow, this is the most amazing dance beat ever” well that’s because that remix is by Giorgio fucking Moroder. He may have done the “Nightmare” mix too, but I don’t think so, it really doesn’t sound like his kind of work.

Orchestral Manoeuvres in the Dark
Brides Of Frankenstein (Mix)
Brides Of Frankenstein (Dub)
Another pair of reposts. Put these up several years (and turntables) back so grab them again even if you have them already.

I also said this back when I first posted this track (which is really a megamix), but it’s worth repeating; this cut has one of the greatest basslines ever.

Covers by Toyah and Cyndi

Monday, April 22nd, 2013

Some  new stuff over at Mostly-Retro!

In case you missed it, I did a small post on this crazy poster that came with the first edition of Kraftwerk’s Ralf Und Florian album. I don’t think that thing has ever been scanned and shared on the Internet before, so if you know any Kraftwerk fans make sure to send them that article!

Next up, and on a much more serious note, there’s this post on Game Theory’s Scott Miller, who left us all too suddenly last week. He meant a lot to me and I hope that someday he’ll be recognized as the songwriting genius he was. You can find all of Game Theory’s music at his official site now, and I wrote up a quick thing about him.

Finally, and on another sad note, Storm Thorgerson died last week too (man, last week was SHIT.) While  he was most well-known for his Pink Floyd covers, he did a lot of other great work too. I put together a quick little gallery featuring some of my favorites.

Mostly-Retro is going along better than I thought it would, and I hope you all enjoy it and share it with your friends. I have some cool stuff planned for that site in the coming weeks and I hope it all comes together.

Got cool stuff planned here too! So don’t worry about that. Check it! Cool stuff! Right here!

It’s really cool.

Toyah
Echo Beach (Surf Mix)
Echo Beach (7″ MIx)
Plenty
This is a cover. The original was by a Canadian new wave band called Martha and the Muffins. There were actually two Marthas in that band at one point, so they really should have been called Marthas and the Muffins, but I guess that doesn’t really roll off the tongue. What are the odds of having two Marthas in a band anyways? Is that like some crazy common name in Canada or something?

I’m getting off topic. This version is by perennial UK oddball Toyah, and I prefer it to the original. It has less horns and more synthesizers. If you ask  me, just about any song can be improved using that formula, except maybe “Careless Whisper.” And possibly “Baker Street.” Although, I don’t know, that melody in “Baker Street” is so great that I think it could work on anything. You could play that shit on a marimba and it would sound great.

Cyndi Lauper
What’s Going On (Club Version)
What’s Going On (Instrumental)
What’s Going On (Long Version)
Okay, so maybe you all can help me out here. If you go to Cyndi Lauper’s official VEVO channel on YouTube to watch this video (which is awesome by the way), it says “ft. Chuck D” after the song title. But, yo, where the hell is Chuck? He is not in this video, he is not rapping, and I highly doubt that’s him playing the bongos. Pardon the obvious joke, but what’s going on with that?

That being said, I really think that a Cyndi Lauper/Chuck D collaboration would be dope and they should really get on that already.

These mixes are by Shep Pettibone, because he remixed everyone in the 80s.