Archive for the ‘Flock Of Seagulls’ Category

Sub-par 80s Music (and a decent track from the 90s) for your listening pleasure

Tuesday, February 28th, 2012

I think I only really like one of the songs in tonight’s post. But what can I say? I’m a man of the people. And I’m certain that some people out there really want songs, so I’m happy to oblige.

Are there any people out there who want to oblige me?

…wait, that sounded dirty. Let me start over.

I’m working on a few articles at the moment, and I’m looking for some people to interview.

Do you like video games? Do you like vinyl? Do you like video game soundtracks on vinyl? Have you bought a video game soundtrack on vinyl. If you can answer yes to that last question (and probably the first three as well) then I would love to speak to you. My email address is in the sidebar. Hit me up.

Did you say no to all those questions? Okay, then do you like Joyful Noise Records? They’re an indie label that specializes in vinyl and cassette tape releases. Have you bought any of their super-crazy limited edition releases? If so, I’d love to hear from you. Email. Sidebar. Do it. You know you wanna.

If you answered no to all of those questions, it’s okay, you can still download these songs.

A Flock of Seagulls
Who’s that Girl (She’s Got It) (Extended Version)
Who’s that Girl (She’s Got It) (7″ Version)
Who’s that Girl (She’s Got It) (Instrumental Version)
I came into this post determined not to make a joke about Flock of Seagulls haircuts. But then I realized that’s all I really know about the group. Then I realized that I had no jokes about it, aside from a pun that described the haircuts as “Locks of Seagulls,” but I’m better than that…at least I think I am.

As Flock of Seagulls singles go, this is pretty minor. It’s from their latter years (1985) and certainly lacks the futuristic, crazy out-there sound of “I Ran” and “Space Age Love Song.” It sounds like a generic new wave song from the late-80s, so at least you can say they were ahead of their time in delivering that.

Heaven 17
Heaven 17 Megamix
This is a mix that combines approximately 80 billion Heaven 17 songs, including “Crushed by the Wheels of Industry” and…other Heaven 17 songs. I’ve officially given up on trying to like Heaven 17. Sorry. But hey, if you do, you’ll probably dig this. It’s like Heaven 17 concentrate! It’s the Colombian cocaine of Heaven 17 songs, pure and uncut. I would say its safer than uncut cocaine, but I don’t want to make that claim since there probably haven’t been studies showing the long-term damage that can result from extended use of Heaven 17 megamixes.

Fluke
Reeferendum
This is the b-side to “Absurd.” I think it was inspired by weed. Just a guess. I know it kind of shits on the 80s theme I had going, but like I said before, I wanted to put up at least one song in tonight’s post that I actually liked.

Flock of Bootlegs

Thursday, October 20th, 2011

If any of you follow me on Twitter, then you may already know that I might have to go on another grunge-related rant next week. For that I apologize.

Until then, let’s keep the happy synthpop train rolling!

Depeche Mode
Only When I Lose Myself (Lexicon Avenue Remix) 
It’s come to this, I have so many Depeche Mode singles (over 80 if you count the box sets) that I have to resort to white label bootlegs to get my remix fix. I’m willing to accept that if it means I can get more awesome mixes like this one, however. I’m digging this mix a lot at the moment. It’s very chill and minimal, and it really takes its time to develop. And since “Only When I Lose Myself” is one of those Mode tracks where all you need is Gahan’s haunting vocals, the sparse, bare-bones treatment fits the track perfectly. A quality mix that’s better than a lot of the official remixes that were on the last Depeche Mode remix compilation, it’s definitely worth a listen or twenty.

Flock of Seagulls
I Ran (Flatline Remix)
So one time I went to this weird hipster party in Pittsburgh and a band called Tehran Iran was playing. They came out dressed as sheikhs and played punk rock covers of Duran Duran songs. It was pretty awesome. For their encore they played “I Ran,” changing the chorus to “But Iran/Iran is so far away.”  Good times.

Anyways, this is another bootleg remix, bought in the same batch as that previously mentioned Depeche Mode remix. I never thought I’d find a trance remix of a Flock of Seagulls track, let alone like it a lot. Will the wonders never cease?

Frankie Goes To Hollywood
Welcome To The Pleasuredome (Trevor Horn Remix)
Get It On (Bang a Gong)
Relax International (Live)
Speaking of bootlegs, has anyone ever done a mash-up of “Welcome To The Pleasuredome” with Public Enemy’s “Welcome To the Terrordome?” It seems like the kind of thing that just should create itself into existence, it’s so obvious.

These tracks are not bootlegs, they are taken from one of the 86 zillion Frankie Goes to Hollywood 12″ singles that came out between the years 1983-85.  Because, y’know, the world needed as many remixes of “Relax” as possible! It’s how we survived the Reagan years. That’s a fact. You can look it up.

And that “Get It On” cover is ridiculous and I love every minute of it!