Archive for the ‘DJ Rap’ Category

Bad Girls (Run The World)

Wednesday, October 12th, 2011

No more grunge for at least a month. I loved writing about that fiasco and it got me a lot of hits, but goddamn it bummed me out.

Let’s dance.

Orbital
One Perfect Sunrise  (Phil Hartnoll Mix)
One Perfect Sunrise (Stereo-8 Remix)
Acid Pants (JDS Mix)
Orbootal
“One Perfect Sunrise” is a song that sounds like its title; beautiful and awe-inspiring, and these two remixes are almost just as great. The Phil Hartnoll mix works pretty well because it isn’t that different than the original, which makes sense considering that Phil is half of Orbital. The Stereo-8 mix is great as well, but it does make the pretty egregious mistake of burying the beautiful vocals away for the first half of the mix. When you have something that hauntingly beautiful, that’s your lead god dammit.

The “Acid Pants” mix is just like the original version of “Acid Pants,” in that it’s incredibly stupid. However, it makes the same mistake as the Stereo-8 mix, it buries the part of the song that makes it interesting: the crazy acid sound doesn’t show up until the song is halfway over. Still, it has the guys from Sparks saying something stupid over and over again, so it’s worth something.

“Orbootal” is a bootleg white-label remix of “Impact” which is a song I have not heard in years, so I really can’t comment on how it’s different. I like it though.

DJ Rap
Everyday Girl (Sneaky Vocal Experience Mix)
Everyday Girl (Rae & Christian Remix)
Bad Girl (Hybrid Remix)
Bad Girl (Num Club Girl Remix)
Bad Girl (Friburn n Urik Remix)
DJ Rap is an accomplished drum n bass and house DJ. She’s a singer, songwriter, producer, model and actress. She is by far the most successful woman in electronic music. Not only is she a genius, but she’s also tough-as-nails for managing to thrive and succeed in a genre of music that is notoriously known as a boys’ club. Now if someone could just tell me why her name is DJ Rap. I just don’t get that.

“Everyday Girl” is a very good song, but “Bad Girl” is the one I’m going to talk about. Damn, what a track. Not only is it an amazing example of progressive trance (and the Hybrid remix is a must-hear) but it also has some amazing lyrics about sexism and double-standards. How many dance tracks drop the phrase “glass ceiling?” Shit is deep.

Enjoy the enlightenment via trance music. I’ll see you all again before the week is over.

Many Miles Away Bigfoot Rocks Out

Monday, April 19th, 2010

I hope everyone enjoyed their Record Store Day and got plenty of nifty neato keen exclusive records. I sure as hell did and in the coming weeks I’ll probably be posting them. Until then here are some especially bitchin’ tracks that I’ve been meaning to share for a while now.

Steppenwolf - Magic Carpet Ride (Steir’s 1999 Ride Club Mix)
DJ Rap – Good To Be Alive (Deep Dish Remix)

Sometimes shit is creepy man. Not a week goes by after I mention how I wish I had a copy of Philip Steir’s remix of Magic Carpet Ride that I find it, on freaking vinyl, in a record store. Not only that, it’s an entirely different remix that’s twice as long as the version that I had on the soundtrack to Go all those years ago. Synchronicity man, Sting was right (had to happen eventually). Somewhere the Loch Ness Monster is getting ready to appear. It’s gonna happen. Or something. Maybe if I keep saying I need a beautiful six foot tall women who likes Gary Numan to show up at my doorstep that’ll happen to. Anyways, the vinyl that I got this from was a 4-track 2×12” sampler for the Go soundtrack that had also had the above remix of the DJ Rap song. Nice bonus. The other two tracks were on the regular CD version so I’m not posting them here.

Spizz
Where’s Captain Kirk (Extended Remix)
I don’t know if Spizz (aka Spizzenrgi aka Spizz Oil aka Athletico Spizz ’80 aka oh c’mon now…) deserved to be star, but he definitely deserved to be a one-hit-wonder. The original version of “Where’ Captain Kirk” remains the best song about Star Trek EVER and one of the best punk rock singles ever put to wax. He was also responsible for one of the strangest 30 second songs ever written “Clock are Big” and he appears in the greatest New Wave concert film ever. The greatness surrounding Spizz abounds.

This extended remix the punk rock track that boldly went where no punk rock track had gone before is not based off the original version, but is instead an extended take of synthed-out version that was recorded in 1987. It’s still great, but not as good as the original. I got this from a 12”.